Kyleen Downes is a true professional. She plays, she writes, she sings, she teaches... and radiates joy when making music.  Every time I go see Kyleen play a show, I end up less grumpy when the show is over than I was before it started.  The community of musicians in the greater Dayton area is better for having her be a part it. 

This is her official music page. I have everything here on compact disc, and I assure you, it's all good.  Why not get yourself a copy of her latest album, Come On Sit Down, on vinyl or CD?

How about we get to know Kyleen a little better?  After the photo, I amplify her voice.

 

Photo by Jennifer Taylor

 

 

1.  Let's hear the elevator pitch for your skill set and genre. 

The best one I’ve come up with is my music sounds like if Tom Petty and Sheryl Crow were raised on TRL. 

 

2.  You have a Bachelor's degree in Music.  For musicians who are not formally educated in music, but wish to improve, what's a simple piece of advice you could give? 

While I was getting my degree I was inundated with so much information, I was discouraged that I wasn’t retaining what I was learning. But as the years have gone by, many concepts have clicked. So my advice would be, don’t feel like you need to know it all, incorporate what you do know (value it!) and more will come as you go. 

 

3.  What was the first album you can remember buying with your own money? 

I made two album purchases that day with my own money: The Men In Black soundtrack and Weird Al Yankovic Bad Hair Day.

 

4.  Tell me about the last concert you saw. 

I saw Cat Power, Garbage and Alanis Morissette at Riverbend in September. A friend invited me and had 3rd row seats, I’ve never been that close before! Cat Power’s performance was gorgeous and humble. Then Garbage performed and they damn near killed me with the bass, but it was awesome. Shirley Manson now has a place on my badass women list. Halfway through one of her songs she called someone out in the audience and said “Hey Kelly” then proceeded to finish the song. Afterwards, she proclaimed how amazing the universe is that in a sea of people she saw their server from the night before, Kelly. She then told the audience that Kelly was in a band called Flying Underground and that she checked them out on the Instagram and said their stuff was great! SO fun! Finally Alanis Morissette came out with her stellar band and washed us all in her unbelievable voice and energy. The concert was incredibly uplifting and an experience that I got to have with two of my closest friends. 

 

5.  When did you start playing guitar?  Why did you choose guitar as your instrument? 

I started playing guitar when I was 12 years old after my parents gave me one for Christmas. I wish I knew why I chose guitar because it has become such a huge part of my life. As a kid I did love singing musical and Disney songs, and I also played clarinet, but I really don’t know why I chose guitar. I asked my mom once why they got me a guitar for Christmas and she said, “I guess you must have asked for it.” Makes sense Mom, haha! 

 

6.  You're a solo artist, even though you write full band compositions.  I can relate.  When you finish a song and are thinking about heading to the studio with it, how do you approach making choices for arrangement and instrumentation? 

The songs I take to the band, I work out structure and instruments parts with them. The songs I’ve worked out on my own will often take shape in the studio. I may have an idea of trying something on a particular instrument but won’t know until I try it. I now have an interface and some GarageBand skills to try out more arranging beforehand, I’m excited to see how it works out! 

 

7. Can you name three influences on your songwriting and sound, along with some details on how you incorporate those influences? 

I’m influenced by whoever I am listening to or perhaps learning to play on guitar. I developed one song on guitar when I was pretending to be Jimi Hendrix in my basement. It sounds nothing like Jimi Hendrix but who does!? It was more how he moves his fingers on the neck that I was trying to imitate. That song I co-wrote with Emma Woodruff for her album Longing for Something I Ain’t Got and it’s called "Yellow Springs Thing". 

A song of mine, not yet released, called "Tell Me What I Want to Hear" was influenced by Prince. I was hearing something in my head that sounded sexy and staccato, so I developed the song with his aesthetic in mind. 

A local influence came out when I was writing my song "Big Top" and that’s the duo Biscuits and Gravy. The acoustic punch of Harold Hensley and the sassiness of Cassandra Barker really drove the tone of that song. 

 

8.  So... when do we get more new music from Kyleen Downes? 

2022! No specific details but I’ve got new songs written and will be recording soon. They each have very distinct voices so I plan to release them as singles throughout the year.

 

***

The video for "Give Up the Ghost" is great, and you should watch it.  I've already linked to the official home of Kyleen Downes on the Internet, but here's her website again.  You can find her music there, as well as on all of your normal streaming services.  You can also find Kyleen on Facebook, Instagram, and Twitter.

I am absolutely thrilled that Kyleen is willing to play with me THIS WEEK, when I play live on WYSO.  Again, she is a true professional.  Rehearsals have been solid, and I warmly invite you all to tune in on WYSO dot org Wednesday 13th October at 8 PM Eastern, and you'll hear Kyleen's fine guitar work and harmony vocals.

Let's get international again over here on Amplified.  Today we meet an Italian... an Italian who hosts a podcast called Dare to Be Seen. This podcast features independent female singer-songwriters and lets the world into their individual stories, songs, and lessons learned along their musical journey. The goal is to help women to shine in a male-dominated industry.   Click here to check out the Dare to Be Seen podcast. 

But wait!  That's not all that Elyssa does.  She also does free Kickstart Your Project Consultations as an artist and creativity coach. Click here for more details. 

Let's get to the interview after the photo.

 

1. Let's hear the elevator pitch for your skill set and genre.

I make Indie folk rock with Cabaret and Celtic European influences and sound like a mix of Jade Bird, Neko Case and Martha Wainwright’s Italian Sister.

 

2. I saw some videos of you in your studio working on songs.  How long have you been doing your own engineering?  Do you also handle your own mixing? 

I started learning about audio engineering two decades ago as a result of getting frustrated with other people having control over my recordings. I decided I needed to learn how to do things myself so I asked some friends to help me. However, I decided that was not enough so I enrolled in some university courses so I could learn about recording techniques and midi sampling. I then decided to let someone else do the mixing for me. After a few years and a lot of money wasted I refreshed my knowledge by taking another college course in audio engineering but the truth is that I do not enjoy spending a lot of time mixing. So I tend to use logic or ableton to record and do a basic mix and then, unless it is a demo, I will ask a studio to finish it up and make it sound amazing. 

 

3. What was the first album you can remember buying with your own money? 

Weirdly enough an album by The Trees, a super obscure English psychedelic folk band of the 70s. I got the LP from a second hand shop after listening to it in someone’s basement in Edinburgh. I had other records before but they were either vinyl my brother gifted me (Queen, Led Zeppelin, Doors, Bob Dylan) or cassette tapes as a teenager. Yes I am that old. 

 

4. Tell me about the last concert you saw. 

Oh my , that was a long time ago, pre-covid. I think it was the Flight of the Conchords in Glasgow! they were amazing, and the the stadium was packed. I had first seen them in New Zealand two decades prior when nobody knew who they were and swore they would be famous. We used to play at the San Francisco Bath house together! (though they won’t remember me ;P )  Well they are now super famous which goes to show I am a good talent scout! Maybe I should change job…:) 

 

5. You're bilingual.  How do you decide which language to use when you write a song? 

The country in which I currently live has been the biggest influence. So when I lived in Italy I wrote in Italian and when I lived in English speaking countries I wrote in English. However, recently I have started writing more in Italian mainly because it really is a lot easier for me to remember lyrics in Italian. I also have been told that my voice sounds better in that language. I am not sure that is true, but I feel that writing in Italian can be easier and possibly closer to who I am.... ? At the same time, it depends on the subject matter too. I left Italy when I was 18 so there are some themes I 
learnt to explore only later. Especially when it comes down to feelings I learned to express myself in English a lot better after leaving Italy. So it’s a bit tricky. It is important to me that my audience understands my lyrics. That has always been the most important factor, but now I am beginning to think that maybe that’s not something I should focus on too much just because otherwise I would never again write in Italian! So I tend to have a 50% ratio, or at least aim for that. 

 

6. Which artists do you consider to be your biggest influences? 

I have lots of influences, but mainly Italian  singer songwriters from the 70s (De Andre’, Battisti, Guccini) , prog rock bands such as the King Crimson, classic rock such as Led Zeppelin, Doors and Queen, and English, Irish and Scottish folk especially from the 70s, like The Trees and Sandy Danny and  American  storyteller / poet songwriters such as Bob Dylan, Leonard Cohen and Joan Baez. 

 

7. If you could choose for a listener to learn one thing about you from listening to your songs, what would that be? 

That we need to talk about taboo and uncomfortable truths. We need not shy away from the darkness in our souls in order to transform,  transmute and transcend. Transformation begins with acceptance. Shining a light on our fears is the first step. Then we need to harness our courage to use our pain to help us learn how to be happy. Of course we cannot always be happy and that’s ok too. 

 

8. What's next for you? 

I have an acoustic album of new songs that I want to record. It will be more stripped down than the last three albums, probably just guitar and voice or piano and voice. I am re-learning to play the piano and it’s super exciting !! I also have an electronic project on the go which is completely different from anything I have ever done... recently I attended a Berklee School of Music Songwriting course that blew my mind. I am now inspired to go back to some of the songs I have already written and re-work them to make them even better. I wish I had three times for time in my day to do all the things I want to do… and if I could I would just play music all day! I also am into my drumming a lot and am planning to start a new band as a drummer vocalist when I move to New Zealand in September. We will see if I can keep a beat and sing at the same time!

***

You can connect with Elyssa over on her official website, and also on Facebook, Instagram, and Twitter.

Dad's Album of the Week is back.  This is the series where I briefly review my late father's vinyl.

Al Di Meola - Elegant Gypsy

The name of this album has aged poorly, as I understand that the Roma people, elegant as they might be, do not prefer the exonym used here.  This album was released in the year of my birth.  Yes, I'll make you look that up.

Al Di Meola is a guitarist - which should be obvious from the cover.  He was in Return to Forever before releasing his own music.  This is his second solo album.  It is wordless.  There is a great deal of guitar playing, very jazzy, lead bits, and such.  It's not my thing.  Maybe that's because Stanley Clarke isn't on this album, though I mean no offense to Anthony Jackson.  Maybe that's because the music is not as incendiary as what I have heard from Return to Forever.  This gentleman is a virtuoso at his chosen instrument, so if you play guitar, it might very well be your thing.

Chris Keats is the first British person to appear here on this interview series.  After the picture, let's amplify his voice... and as I did with our Canadian guest recently, I have left the  English spelling unchanged.

 

 

1. Let's hear the elevator pitch for your skill set and genre. 

Music to me is better than therapy. After my mum died by suicide I promised myself that I would do something everyday to make myself a better musician & a better human being. I write acoustic folk pop songs to heal both myself & others. 

 

2. Your bio says you're a world traveler.  Can you give me three countries you have visited that are foreign to you, a favorite food you experienced there, and something you have learned from your visit? 

The first place that comes to mind is Kathmandu in Nepal. I spent 3 months there in 2013 volunteering with a charity called The Umbrella Foundation which helped children who were trafficked during the civil war get back to their families, as well as clothing & educating them. We ate a lot of Dal Bhat with the children for breakfast & dinner but my favourite was a Nepalese Thali! Lovely! I learnt first hand what malnutrition looks & feels like & the impact that had on the lives of the children. I also realised how lucky I was & am to live in the west & to have a fantastic quality of life. 

Secondly I went to Rome in 2018 for a solo adventure. The pizza was amazing! (I wasn’t vegan at that point so it was meaty pizzas!) I learnt that there are other ways to live, other than the live to work life I had led in England. That the Italian people love life & they live it to the fullest! Very inspiring. 

I went to India in 2015 for 3 months. I loved the Massaman Curries I had there. I had it a lot. With a little bit of spice it was so tasty! I’d go back just for the food. What did I learn there? I learnt a lot about just being, rather than doing. I learnt to appreciate the small things. I learn what it was like to live in a chaotic but beautiful society. I re-learned to love my own company & be with myself. 

  

3. What was the first album you can remember buying with your own money? 

There are 2. The first one was 2 Unlimited’s second album called No Limits, which is a pop dance record which I loved! I’m listening to it now! 

I also remember buying Queen’s Greatest Hits 2 with my Dad at Virgin Records Stores in Brighton & then on the way home the car ran out of petrol and we had to wait by the side of the road for what felt like forever before getting more petrol & finally getting home! Such a great album! I love Queen! 

  

4. Tell me about the last concert you saw. 

Wow! The last proper gig I went to was in February 2020 to see City & Colour at The London Palladium! It was great. It was one of those gigs where I was incredibly into the band at the time & they had a new album out which was great. I miss playing & going to gigs so much right now! It’s been far too long! 

  

5. It seems like songwriting helps you to deal with trauma and pain and general life difficulty. When you write something to help heal yourself, how do you decide if you should also share it with an audience? 

Yes songwriting has been therapy for over a decade now. Since 2006 really.  

I have held back on some of the more painful songs I’ve written but I made the decision quite recently to start playing them & to record them. I’ve come to realise that I don’t know whether a song will be successful or not, or whether it is a good song or not. So I’ve decided to let the people decide. If I release a song & it helps one person that is a success to me!  

So going forward I won’t be holding back! 

  

6. Among the influences you note in your bio, I am only familiar with the music of Neil Young, so this question is about his music specifically.  What things from Neil Young's vast array of sounds, styles, and songs do you take with you into your own work? 

I love all of his music but my songwriting is influenced by his Harvest era work, After the Goldrush, Zuma & also Rust Never Sleeps. I love Harvest Moon too! I always planned to start with an acoustic set & then have the second half of the set be electric. That’s still a plan of mine! 

  

7. How has the ongoing pandemic affected your music career? 

I have meant not playing shows for the longest time I’ve had for decades. It is only recently that it has really started to bother me. I’m very patient but I’ve got to the point where I want to play live shows & go & see other artists perform. I want to go & perform at festivals & get back to travelling & playing shows!  

It has been a financial challenge as I would ‘normally’ be funding my music career with the money I make from working as a Physiotherapist! That isn’t possible right now.  

Ultimately it has meant I’ve started coaching the guitar & ukulele more and learnt a lot about how the music industry & the music business works & about marketing my artist career & growing my fanbase. I also wrote a lot of songs in the first lockdown that I must go back to. 

Overall I have made a positive time of it! 

  

8. So far, you have released a few singles.  What's next? Do you have plans to make an album? 

Yes I’ve released 4 singles since September 11th 2020 with a new single, SPOTLIGHT, out on April 9th. Then my first EP WHEN THE SAILS COLLAPSE, AS LIVE is hopefully coming out in May.  

I want to release my first album in either March or September 2022 & record a total of 3 albums by 2025. 

I’ve spent a lot of time in the last year learning the business side of the industry so it’s time to write a lot more songs & get back into the studio!

***

 

Did you notice that Chris Keats has a new single coming out this week?  "Spotlight" is coming your way on Friday, April 9th.  Click right here to follow Chris on Spotify.  

You can also find Chris over on Bandcamp, Instagram, Facebook, and Twitter.

Baby Molly comes to us from Toronto, in the province of Ontario, in the nation of Canada.  I met him back in 2017 in Nashville at CD Baby's DIY Musician Conference, and we had interesting and useful conversations... and this happened again in Nashville in 2018... and again in Austin in 2019... and then the pandemic crushed conferences, music and otherwise.  

Baby Molly plays guitar, among other musical talents... but you know what?  Let's learn all of that in the interview after the picture... and let the record show that I left the Canadian spelling of some words as-is.

 

 

1.  Let's hear the elevator pitch for your skill set and genre. 

Baby Molly is just a typical millennial. Reminiscent of Beck, Say Anything, Front Bottoms or Green Day, I just make fun pop/rock music about the downfall of society and the paradox of being alive. We can't afford to live but we don't want to die either. With my tongue FIRMLY in cheek, it's just music to rock out to, make life a little more fun and a little less pointless. 

I don't have an "elevator pitch" really so I hope that makes sense. "LISTEN TO MY MUSIC PLEASE SO I CAN EAT!!!! Or Don't I guess?" is what I wish it could be. 

 

2.  You've had an official change in artist name since Belladonna, your last album release.  Does this change come with a new approach to making music?  If so, can you talk about that in detail? 

It does! Molitor is my middle name (Named after 1993 World Series MVP Paul Molitor, no joke) but I always found myself correcting pronunciation, explaining the name to confused faces, etc. So even though I no longer go by a REAL mononym, this music is 100% more me. I had been performing under the name Molitor since I was 17 years old when all the cares of the world, pressures of being cool/hip/stylish/attractive mattered so much. Even though I was being original and creative and enjoyed my music, it always felt like hard work. A stretch to fit into trends, remain cool. I wanted to be the hot, clever, sunglass & leather-jacket wearing frontman. The Julian Casablancas, Pete Doherty, etc. But that's not me! At least not anymore (I did kind of have that vibe when I was younger). So now I just write lyrics as honest as they come: literal journal/diary-style lyrics. Earlier in my life, I'd try to find clever ways to say things - I had cool lyrics like "Your effervescent efflorescence Belladonna brings me to tears". Now, I have a song where the title and chorus are just literally "I'm broke. I want to be happy but I need some damn money". I think it not only works out because I'm really excited, proud, happy with my new music for the first time in a while (I think 2014's #lonelypeople_Music EP by Molitor was the last time I felt this way) but it just flows out of me. I can grab a guitar and a song will come out that feels like Baby Molly. It doesn't need weeks of production, re-writing, editing, and borderline alcoholism to get it to be moody, cool and sad enough for a Molitor release. It's just me. I developed a little bit of a character around it so that it's still marketable in the 21st century, but you can't survive without doing that really. But the character is more me than my old character even, sarcastic, witty, sad but hopeful. My angst has dissipated and I wanted a clean slate to reflect that. 

 

3.  What was the first album you can remember buying with your own money? 

The first one I vividly remember is A Lesson in Romantics by Mayday Parade. I bought it in a mall in New Brunswick, Canada when I was living with a family there on this, like, exchange program thing through the YMCA. I spent some time there and then their child spent some time with my family in Niagara Falls. I remember it so well, it was pre-Covid and record stores used to have headphones hanging up at the end of each aisle where you could listen to some CDs before you bought them. (Note from Mike: I miss this era of music store goodness.) I just picked this one because it had a cool cover and it really changed my life forever. I listened to 4 or 5 songs in the store because I didn't want to take the headphones off. Then, because I was on this exchange trip, my parents had given me a little spending money for food and emergencies but I ended up spending like 60% of it on this CD. It remains one of my favourite albums to this day and is probably the direct lineage to how I write songs. Super emo, but still fun and well-crafted, plus dual lead singers and overlapping vocals has been a mainstay in my songwriting; nobody did two lead singers as well as Mayday Parade on this album, to me. 

 

4.  Tell me about the last concert you saw. 

Concert? One sec, let me search the dictionary for that term.... Oh, yes! I remember those. It was one of those things where multiple people were indoors and enjoying the music that they love together. According to my memory, the last one I saw was in November 2019 when I was living in LA. I got to see Max Bemis of my favourite band Say Anything perform a stripped down solo show with just an electric guitar. It was amazing. Everyone knew every word and it wasn't a full band show so it was more intimate than any other Say Anything show. It was great, the crowd was singing so loud that you could just barely hear Max over the crowd throughout. His wife and kids were there too and because it's such a small venue, when his wife Sherri was singing with him on stage, you could see their kids peeking out from the green room and waving at them. It was adorable. I miss concerts, but if it's the last one I ever see, that's one of the best I've been to. 

 

5.  What artists do you consider to be your biggest influences?  

Max Bemis/Say Anything and Mayday Parade as mentioned above are huge. I take notes from so many artists that it's really hard to say. There's a fairly obscure band called The Veils that have a song called "Begin Again" - that is probably my favourite song of all time. The originality and boundaries pushed by Childish Gambino and all of his music are always a guiding light. The Killers, Kanye West, The National, Taylor Swift, The Front Bottoms. Green Day was my favourite band growing up and I knew every word to every one of their albums so undoubtedly people would probably find a bit of them in my songwriting. 

 

6.  I totally took this question from someone who interviewed me previously.  You can't control the way other people hear your music, but if you could make someone aware of a specific thing that sets your songs apart, what would that be? 

This. Is. A. Tough. Question. I don't want anyone to be aware of a specific thing but I think songs speak differently to people depending on their mood, personality, the weather, their surroundings, what they ate that day, etc. SO my only wish if I could ask one thing of each listener it would be to actually listen. There are a lot of very talented musicians and artists that make background music for studying, reading, elevators, etc. I am not one of those artists. I am arguably the LEAST subtle artist that has ever lived so if I could ask something of a listener it would be to actually listen. If you love it, that's amazing, if you hate it that's great too. I appreciate that you took 3 minutes of your life, time is the most valuable thing in the world and I am endlessly grateful that you gave me a shot with some of yours. 

 

7. Your podcast DUET OR DON'T is about to be introduced to the world. What's the premise? 

DUET OR DON'T! The game show/just for fun show where each week I have a brand new songwriter, artist or musician on and after having a very brief chat about our lives and how we're feeling, we write and record a brand new song, from scratch, live on the podcast for anyone to listen to. There is a time limit, of course, no one wants to listen to a 3-week long podcast. But the rule is that we need to come up with a brand new song and present it, warts and all, after the timer is up. Then, together we decide, is it good or bad? Do we love it or hate it? DUET or DON'T? 

 

8.  What's next for Baby Molly? 

BABY MOLLY PRESENTS: I MISS MY FRIENDS - AN EP FOR THE AGES, OUT FEBRUARY 19, 2021.

*********

 

Right up there at the top of the post, I link to the Baby Molly web presence, but here's that link again. The new podcast will launch shortly, and the first guest songwriter might be someone you know.  (They call that "a tease" in the radio industry, kids.)  Here's the Baby Molly YouTube Channel.  You can also shake a rattle with Baby Molly on social media via Instagram, Twitter, or Facebook.

Let's start by making sure we all pronounce Jenee's name correctly... it rhymes with the French name Renée.  Ok, there you go.  Jenee Halstead is a songwriter that comes to us from Massachusetts, and her new album Disposable Love will be released THIS WEEK, on Friday the 22nd.  I very much dig it, and I think you will, too... when you listen to these songs, you can tell that she feels every word she sings.  After the photo, an interview with Jenee Halstead.

 

 

1.  Let's hear the elevator pitch for your skill set and genre. 

Skill set - I have no way or reason to give a skill set. Not sure how to even answer this question. I guess I would call myself an artist. Not considering a skill or ability. I play guitar, I sing my own songs, I seem to get better with each album. It's all about expression. I try to be pure in my expression. Not sure how that relates to my abilities. That is for others to judge I guess. 

As far a genre goes I guess I am just a singer-songwriter. I am not glossy enough to be pop, not americana.  You could call it indie pop or indie soul. The album is really all over the map. So I think singer-songwriter is the best answer.

 

2.  You've travelled with a choir that performed Gregorian chant music.  (I know this because I read your bio.)  Are there parts of that experience that filter into your songwriting and performing today?  How so? 

I guess the Gregorian choir just seeps in as far as purity and sacredness of music. I always want to hear a purity of intention and intentionality if you will in all music. It doesn't matter the genre. If it feels like it is sacred to the person: expressed, meaningful, passionate. Then for me that counts as pure intention. I think there is just a level of sacredness and appreciation in music that I like to hear and experience and witness from whomever I am listening to. If that is not there, it will in no way interest me.

 

3.  What was the first album you can remember buying with your own money? 

Maybe Eazy E. I think it was the Eazy E cassette Eazy-Duz-It.. I was a huge hip hop, rap and R&B fan and still am. Oh boy I knew every word to that cassette. Can you imagine a skinny, awkward 12 year old girl from Spokane spitting Easy E on the way to junior high school? Yep. I loved it.

 

4.  Tell me about the last concert you saw. 

The last concert I saw: live or online? 

I can't even remember. Maybe Lucinda Williams at The Paradise in Boston for the 20th Anniversary of Car Wheels on a Gravel Road. It was great. She was funny. Telling stories of what inspired the songs in between playing. Her stories were mostly about a failed love affair during tour and living on the road. So good. I had accidentally seen her twice that year within a three month span. I think friends offered a ticket each time. So good. She is just amazing when she is sober. I think she has been sober for a while.  Three months prior I saw her outdoors at the Blue Pavilion (I think that is the name) in Boston and a fricken fireworks show went off over the water during one of her songs. Amazing.

 

5.  What artists do you consider to be your biggest influences? 

My biggest influences?  I am going to say Kate Bush. Although my music sounds nothing like hers. It's just her. She is a Master of the highest degree. A sorceress. Her music, expression, songwriting, vocal range, vocal color, vocal ability, all of it is just crazy. I think what I love the most about her is she is working with the elements and mastering the sonic space and alchemizing the planet with her voice, with her lyrics. I can't explain it. Just listen to "Love and Anger" off The Sensual World.  I guess she just inspires me in her purity, her intentionality and her ability to heal the world with her music, with the mastery in which she turns a phrase with her voice. 

Watch the video here:

 

Second would be Joni Mitchell. For all the same reasons. The ability to speak and sing of her emotions in a way this is still unrivaled. Her poetry, her insane and gorgeous musical compositions. 

Third would be Nick Cave. He is like my soul. He sings and expresses my soul in masculine form.

 

6.  How has the ongoing pandemic affected your music career?

The ongoing pandemic has changed things a lot. It pushed the album release back 8 months. I hadn't really booked a lot of live shows for the release, so that wasn't an issue. I guess for me it was just hard to make the transition online. I didn't want to play online at first. I was focusing on getting singles out from the album, so I didn't have to worry too much about being in the studio or anything. I am finally getting around to playing online and doing a Variety Show through Stream Yard. I just love the live show with people in the room. I work with the energy in the room from people. It felt so strange at first when I was trying to play online in early March. You don't get that energetic interaction. I guess I should have viewed it early on more like a service. Service to others. That may have helped me get over the fear of online playing. I guess it's also devastating seeing some of my favorite stages shutting down. I don't know what to think about a lot of it right now. There is just now way to know how things will be when all of this is said and done.

 

7. You sound just a little bit different on each release, and it's interesting to me to notice an artist's progress like that.  On Disposable Love you seem to have embraced some surprising changes of feel and instrumentation within the same song ("I'll Be Your Man"), showing off influences from blues and gospel at times ("In the Seams"), and even a song that feels like it's a country song except for the really interesting bass line ("Solitary People").  When you started putting this album together, did you plan to cover that much different musical ground, or did it just kind of happen? 

When we started this album I don't think we planned on covering this much ground. I have always dappled in several "genres" as a writer. In previous albums I have married folk with Americana, a little bit of Country or Alt-Country, electronic beats and having the album musicians run roots instrumentation through pedals and amps.  This was my work with producer Evan Brubaker on my first two full length albums. I knew on this album I wanted to cover more soul and pop sounds. I was clear on that.  I was writing songs that sounded more pop influenced and my co-writes with Berklee Songwriting professor Susan Cattaneo (who is a good friend) were each much more soul and pop driven. We co-wrote "In the Seams," "Mother" and "Disposable Love."  She also co-wrote the lyrics on "Skin," which to me is truly pop all the way.  I think Dave Brophy, my producer, is comfortable bridging all these worlds and in such a unique and masterful way. That was why I was excited to work with him. On any given day he will be working on a Jewish Klezmer album, a soul album, a straight up country Americana album and a high level jazz album.  He is a jack of all trades, multi-instrumentalist and he is comfortable swimming in many ponds. We both love Spaghetti Western and noir sounding music and I think that informed and was a thread through a lot of the music...but it also has a fresher pop approach to it.

 

8. The COVID-19 vaccine is slowly trickling out, which means that maybe - just maybe - touring could be back this year.  If we get live shows back, do you plan to go on the road with the album?  If we don't get live shows back, what are your next steps?

I honestly am not sure and haven't given this much thought yet. The continual on and off lock downs and insecurity around this whole thing has me table everything for now. If venues start to open in the next six months I may decide to book some shows.  I am hoping to at least do one big celebratory show in Boston sometime in the next year (fingers crossed). I just don't think we are going to know for a while how all of this will ramp down (unfortunately) and it's better for my mental health to look at the long game and not get my hopes up too high.

 

***

Trust me on this, you want to listen to Jenee's new album, Disposable Love, and I'd like to remind you that you can do so this Friday.  I linked her official website above, but just in case you missed it, click here to visit Jenee Halstead on the Internet.  You can also find Jenee on Facebook, Instagram, and Twitter.

 

Way back in April 2020, I began an interview series here on the blog.  I call it "Amplified" because my intent is to make the voices of artists louder.  We musician types desperately wish to be heard, and although I don't exactly have a mammoth readership, I figured I'd try to get some additional ears to the work of folks I respect.  After all, I'd love for someone to do that for me, and am grateful for every single listener.  Here's a brief summary of a very diverse group of people who agreed to participate this year:

Lauren Light - pop/soul singer/songwriter, podcaster, owner of a licensing company

Nina Pelligra - a capella looper artist, songwriter, engineer

Sarah Rudy - guitarist, songwriter

Dirty Doc - guitarist, songwriter

Shannon Söderlund - bassist, guitarist, songwriter

TINO - rapper, songwriter, performer

Greg Owens - guitarist, singer/songwriter

Treneti - vocalist, bassist, songwriter, producer

Megan Fiely - abstract artist, recovering musician

OriSoaring - multi-instrumentalist classically trained on saxophone, songwriter

 

If you missed any of these, I encourage you to revisit the interviews at the links.  Listen to the music, look at the artwork, connect with the artists on social media.

 

 

Those of you who live in the Dayton area and follow local music are probably already familiar with Doctor Art Jipson, but for readers who are not, I offer a brief introduction.  Doctor Jipson is a professor at the University of Dayton with expertise in sociology and criminal justice.  Yeah, heavy stuff.  When he is not shaping young minds in the classroom, he is shaping them via music, as he is DJ on a WUDR program called Your Tuesday Afternoon Alternative.  I think it's fair to say that there isn't anyone who cheers louder for independent musicians from Dayton and around Ohio than Dr. J.   

Recently, Dr. J has been playing "I Am a Number" on his show.  Now, I didn't release or advertise that particular song as a "single".  All of Anxious Inventions & Fictions is FCC friendly, so all of it could conceivably receive radio play, and while I encourage the folks at college and indie radio who receive the album to play whatever they want, most often folks don't get past the "singles".  Dr. J plays the music he likes, the music that moves him, and I am thoroughly pleased that he likes "I Am a Number" enough to give it airplay.  That being the case, as a gift to him - and also to all of you out there - here's the story of that song.  I hope you enjoy the story, and I hope you like the song as much as Dr. J does.  (Thank you, Dr. J.)

CLICK HERE TO LISTEN

 

Ten dollar book filled with twenty cent words
Juxtaposed only to make it absurd
Carelessly tripping your way around diction
Turning your stories from fact into fiction

I had the above lyrics sitting around for several years.  Despite what they sound like given today's climate, they are not about any political figures.  Those lyrics were originally about a certain social media platform with the word "book" in its name, and about how people would share things that are verifiably false or absolute nonsense.  Note that again, I wrote these words long before it became common knowledge that social media is weaponized as a propaganda tool by all sorts of nefarious actors.  It took awhile before I was able to compose any music to fit the lyrics.  When I finally did, I had to simplify the lyrics a bit to make them fit the song, make them easier to sing (a nod to Greg Owens for the idea to turn "tripping" into "trip"), and create some extra alliteration ("stories" became "tale").

I composed the music on piano, like I often do.  The main riff consists of individual notes F, A, and C, followed by a G major chord and two F major chords.  Right from the beginning, I knew I wanted this to be a guitar rock song, and I knew I wanted it to sound like Knoxville's own Superdrag.  John Davis - formerly of Superdrag and currently the man behind The Lees Of Memory - is a strong influence on my songwriting.  You don't always hear it, but on Anxious Inventions & Fictions, that influence is clear on "I Am a Number" and "Promise".  In order to get to the sound I wanted, I recruited Tim Pritchard (who you might know from bands such as The Boxcar Suite and Shrug) to play guitar, since he loves the work of John Davis as much, if not more, than I do.  I told Tim that I wanted it to sound like a Superdrag song, and he knew what to do.  When there were questions about a tonal approach for some of the guitar parts, I asked him to imagine what Brandon Fisher would do, and away we went.

Also, community drummer Brian Hoeflich deserves a special shout-out here.  I asked him to do his best Don Coffey Jr. impression, and he did that.  However, I made an arrangement change at the last moment, in the studio... a couple of deviations from how I had done the demo.  I tried to explain it verbally, but the most effective way to show Brian what I was looking for was to sit at the piano and play/sing the entire song for him.  We went to the piano, he brought a piece of paper, and he charted the entire song as I played it and sang.

I had one music writer tell me that this song reminded him of Hüsker Dü.  Now, I have only listened to three or four Hüsker Dü songs, and although I know how respected Bob Mould is (I see you Joe Anderl), I have only listened to a couple of his solo albums.  I haven't listened to nearly enough of that band to be influenced by them directly... but I have 5 Superdrag albums, and have seen them 3 times... so, any Hüsker Dü influence one might hear in my music comes filtered through John Davis.

I had been playing this one out at Showcase Thursdays and other open mic events on piano before eventually getting in the studio with it.  Strangely enough, even though bass is my main instrument, I didn't write the bass line for the song until the day before tracking it.  Listen closely during the chorus, and you might notice that the bass notes follow the vocal melody, and not necessarily exactly what the guitars are playing. 

As they say, if you can't figure out what the product is on a given tool or website, then YOU are the product.  When it comes to social media, we are the product.  That's something worth keeping in mind.  Obviously, I use social media, I mean, you probably arrived at this blog post via a link from one of the sites where I maintain a presence. These tools have their uses, and I'm not trying to say that they are all evil all of the time.  What I am trying to say is best expressed in the song lyrics:

How great is your stake in me?
This is all marketing data for sale
How much will you lie to me?
This is all marketing, targeted offering
I am a number 

 

You might remember that last week's blog was about co-writing "Won't Love You Anymore" with the gentleman pictured below.  I figure that this would be a good time for us to all get to know him a bit better.  Interview after the picture:

 

photo by Jon Estes

 

1. Let's hear the elevator pitch for your skill set and genre.   

I’m a singer/songwriter that writes and performs songs about, and for people who feel like they’ve been left behind by the world or someone they loved.  

 

2.  It seems like "Five Years From 21" was written when you were 26 years old.  You're older than that now.  How do you feel your life has changed since then? 

Quite drastically really. When I wrote that song, I was feeling really depressed and defeated. I was 26, working a retail job that I hated with coworkers that were mostly teenagers. I wasn’t playing a ton of music. I just wasn’t pursuing it at the time. I was lost.   

Fast forward to now: I’ve got a great “day job” that is flexible enough for me to still focus on music but also affords me an income to live comfortably. I’m married and couldn’t be happier! I’ve never been more confident in my music and my ability to connect with fans than I am right now. I’m feelin’ pretty damn good! ha  

 

3.  What was the first album you can remember buying with your own money? 

It probably would’ve been either Gish or Siamese Dream by the Smashing Pumpkins. I got the “Bullet With Butterfly Wings” single for Christmas when I was nine and fell in love with the band. One of my siblings already had Mellon Collie and the Infinite Sadness so I set out to buy the rest of their discography.  

  

4.  Tell me about the last concert you saw. 

The last concert I saw was in October of last year. Just typing that is really depressing! It was Jason Isbell and the 400 Unit at the Ryman here in Nashville. I’ve seen Isbell a handful of times but this may have been my favorite show of his. Our seats were great! We were pretty close (although there’s really not a bad seat at the Ryman). I drank significantly less than I have at past shows which led to less having to get up and get a drink or go to the restroom. Haha That was kinda a revelation! Maybe I don’t need to down 10 beers at a show! The band was fantastic as always. It was just a really great experience.  

  

5.  I happen to know you love The Smashing Pumpkins, like I do.  Let's get granular here... give me three of your favorite Smashing Pumpkins songs, and tell me specifically why you love them. 

"Bullet With Butterfly Wings" – It’s not a song I listen to regularly now but it had a profound effect on me as a child. I remember getting the single for Christmas as well as a boom box. I sat in my room and played that song over and over. I couldn’t quite put my finger on it but something about that music just really spoke to me. I immediately vowed to be a rock star and got my first guitar on my tenth birthday six months later.  

"Geek U.S.A." – Between that crazy guitar solo and Chamberlain’s incredible drumming this is just a straight up bad ass rock song! There’s tons of energy complete with a super quiet down part that then gets loud which is so wonderfully typical of the Pumpkins. It’s perfect.  

"Blissed and Gone"  – This an outtake from Adore. There’s several different versions, but I couldn’t find the original one that I heard anywhere. I think I probably illegally downloaded it on Napster or Kazaa (sorry ☹). It’s one of the saddest songs I’ve ever heard and that’s probably why I like it. It’s just super sad. Ha  

  

6.  You are the first person I have co-written with, and the experience was so positive for me that now I have a music project built around co-writing with a friend.  How has our collaboration influenced you? 

Our collaboration wasn’t the first time I’d co-written with somebody, but it was the first time I was actually happy with the final product! Ha The experience has encouraged me to want to co-write more. It was also cool that we were able to do it remotely. I was kinda surprised we were able to make that work, but we did! 

  

7.  If you had the power, what would you change about the music industry? 

It’d be easy to say, “I wish it was like the good ole days when people actually paid for music.” However, the major labels were in power back then, and folks like me and you wouldn’t stand a chance. In the digital age, we have more power. As an artist, I guess I’m kinda okay with how it is. As a consumer, I really hate paying extra for TicketMaster fees! Is TicketMaster really necessary?!? 

  

8.  How do you intend to keep growing as a songwriter and artist? 

When I was younger, I often wrote about my own life. It was very self-absorbed. As I’ve gotten older, I’ve started putting myself in other people’s shoes and writing from their point of view. I want to keep on doing that. Getting better at it. Meeting new people with different struggles and shining a light on that with my music. I also started learning how to play harmonica and I really want to step up my guitar game next. Basically, I just want to keep getting better at every aspect of my music. 

 

***

Why not go visit Greg's website?  You can also find him on Instagram, Facebook, and YouTube.  I'm not going to ask you to send Greg messages and emails to bug him about when he's going to get around to recording "Won't Love You Anymore" himself, but I'm not going to NOT ask you to do that, either.  Or something.

You can listen to my recording of "Won't Love You Anymore" on all digital streaming services tomorrow, 11th August.  Would you do me the kindness of clicking here to pre-save on Spotify, or here on Apple Music?

 

You ever listen to an album and immediately love it?  That's not something that happens all that often with me, I usually take a few listens to warm up to something.  Brevity is an exception.  I loved this one right away... the lyrics, the melodies, the nineties rock sound that reminded me of my youth.  Brevity is still in regular rotation for me, and that has been the case ever since it showed up in April.  The people responsible for this album are Punch The Sun, from New York.  The person responsible for writing the songs is fellow bass player and lead singer Shannon Söderlund, shown at the bottom right of this photo:

 

 

Shannon has songs.  So many songs.  Good ones.  Great ones.  She keeps making more.  Remember that songwriting challenge that I previously wrote about where you write five songs in five days?  Shannon is part of this same group of songwriters with me, and the songs that she writes for these are so good that I generally question what in the world I am doing.  

Ok, you've heard enough from me.  Let's amplify Shannon's voice.

 

***

1.  Let's hear the elevator pitch for your skill set and genre. 

My elevator pitch, eh? I grew up singing and playing in a family band, so music has always been - quite literally - my life. After us kids grew up and the family outfit wasn't playing as often, I tried out a bunch of different musical areas (Wind Ensemble, Jazz vocals) until I found my home among what I listened to in high school: Alt Rock. 

2.  You joined Wheatus for a European tour.  (For my readers who don't know that band, they are a New York rock band who had a hit single in 2000 that was on radio and in movies.)  How'd you get that gig?  Can you talk about your experience touring Europe and playing music? 

As happens so often in this industry, it was mostly a circumstantial thing. About 2 years ago, I shared a bill with an artist (Gabrielle Sterbenz) who was in need of a singing bassist. And she saw me playing bass and singing in my own band, right after her set! So we got together and I played with her band several times in the following months. Then last year, she needed someone to head out on tour with her, as she was supporting Wheatus. Obviously, I said yes. 

Touring Europe and Great Britain was really fantastic. I basically grew up touring with my family, so even though I hadn't done it in years it felt very much like hopping back on a bike, y'know? I love all the parts of a touring production: moving equipment, setting up, soundcheck, finding food in a new city, the show, sleeping in an unfamiliar place (though we had the bus to go back to, which was lovely), meeting new people every day, traveling with the same dozen people for weeks on end. It's one of my favorite things in the world. And I feel so blessed and honored that I got to do it with a truly special group of people. 

3.  What was the first album you can remember buying with your own money? 

Hmmm... either Norah Jones' Come Away With Me or Fiona Apple's Extraordinary Machine. I might've gotten them together? I listened to a LOT of my brother and sister's music in high school until they left to go to college and I had to fill my own silences. Those two albums, along with Hot Hot Heat's Elevator, where basically the soundtrack to my senior year in high school. 

4.  Tell me about the last concert you saw. 

If I'm honest I don't even remember the artist's name; it was a show my friends were excited about, so I tagged along. The music was fantastic - kind of experimental prog-jazz - and I remember there was a female bassist, whose left hand I was staring at literally all night. 

5.  What artists do you consider to be your biggest influences? 

Fiona Apple is a big one. Cake is another. Weezer, definitely. Most of all though, it probably was my parents and the Christian Rock we played (oh yes, it was a missionary family band). I definitely see that 90s-worship-music as defining a lot of the music I write. I think music is about connection and relationships. And in my mind, songs should be catchy and sing-along-able, which is almost certainly a holdover from worship music. I definitely sing more about existential dread these days instead of Jesus, but hey. 

6. At the moment, COVID-19 has you stuck in Liverpool.  I imagine there are worse places to be socially distant.  How are you managing being that far away from home for so long?  [Note from Mike:  This interview was done in May, Shannon is back on this side of the Atlantic now.]

In a weird way, Liverpool feels very much like home. I'm here with someone I love dearly and consider family. I think it would be much, much harder if that were not the case. But there's plenty about this town that feels familiar - all the flora here is like, exactly what my mom has in her garden in the PNW (that's Pacific Northwest, for those of you who are unfamiliar). And videochatting, both over Marco Polo (hi, Shiree and Danielle!) and in realtime has been life-saving. Being able to stay connected with friends and family has been huge. 

7, If you could change anything about the music industry, what would it be? 

This... I have complicated feelings about this. Many of the problems I have with this industry have to do with money, and the people on top who want too much of it. It's much the way I feel about our society. 

That being said, I think there are a lot of things that musicians (especially ones starting out) complain about that come from a basic misunderstanding of how businesses operate. Money is obviously a necessity for society to function and businesses to run. And there are a lot of ways in which the industry is surprisingly functional, especially when it comes to touring and live gigs. It's hard, but I understand why it's hard. And this has ALWAYS been a hard industry. So... *shrugs shoulders* 

8,  Brevity probably didn't get the big marketing push that it deserved, due to the pandemic.  Assuming the situation improves, will you all re-visit promotion for that album and perhaps tour?  Also, what's next for Punch the Sun and for you personally? 

I definitely want to tour on Brevity! Once the pandemic is over, that's a route (#tourpun) that we will certainly pursue. I can see us perhaps making some music videos down the road (omigosh ANOTHER #tourpun) to highlight some songs on the album. Ultimately, though, I'm really glad it's out in the world for people to listen to and think, "wow, that's what Punch The Sun sounds like!" 

Next up, though, is more music - of course. I'm already working with Campbell (our drummer) on some new songs. We're just in the demo stage, since we're on opposite sides of the Atlantic, but we're deep in the writing process again, which feels fantastic. Music forever!

 

***

I linked to both the website for Punch The Sun and to Brevity up in the first paragraph.  You can also find Punch The Sun on Facebook, Instagram, and Twitter. 

I met Doc a couple of years ago at a music conference.  She has a signature look... a hat, a rat, and always a guitar.  Her artist name is Dirty Metal Lefty, partially because of an innate southpaw status, which is something we have in common.  (I mean, I do play bass like a right-handed person, but I eat, write, throw, golf, swing baseball bats, and shoot basketballs left-handed.)  This is a very talented person who wields the guitar with all kinds of skill... this is the kind of wizardry that eludes me, as I find guitar strings to be too numerous and also way too tiny.

Here's my favorite song from the Neva' On Sundays album, "Ain't No Friend of Mine."

The last time I saw Doc, we sat in a hotel lobby down in Austin singing and playing Chris Cornell songs.  Well, I didn't do the playing, and I did the singing rather poorly, but it was a great time.  No, not that Chris Cornell song.  No, not that one either.  Yeah, and this is also not one of them.  Here's one. Here's another.  Here's a third, that almost makes me cry every time I hear it.   Interview below the picture.

When I run these, I usually put my questions in bold... but Doc used some unique formatting in her response, and I think it's best to show you this interview the way she intended.

 

1.  Let's hear the elevator pitch for your skill set and genre. 
Blues Inspired Indie-Alt Rock with Jazz and Metal undertones 
Think "If Sade had a baby with Alice In Chains who was REEEALLY into CSN (Crosby, Stills, Nash) and Albert King" 

 

2.  How did you get started making music?  How soon after you started learning to play did you start to write your own songs? 
I guess from the moment I could make noise and bang on stuff.  Music for me and a headache for others. LOL 
If memory serves me proper, I was around 9 or 10 when I first sat down and intentionally tried to write a song; on a keyboard, surprisingly enough. The songs conjured from lyrics only were usually set to the melody of a song I already knew. #UnintentionalDerivativeCover 

 

3.  What was the first album you can remember buying with your own money? 
Remember Columbia House music club with their "10 cassettes for 1¢"? 
Alice In Chains - Dirt. And spoiler alert, those cassettes weren't really a penny. Boy did I learn that lesson the hard way. . .   
[Mike adds: You and me both, sista.]

 

4.  Tell me about the last concert you saw. 
Mon., Mar. 9th - Michale Graves (ex-Misfits) w/ special guest JJ Speaks 
Covid ruined everything after that (>_<)* 

 

5.  What artists do you consider to be your biggest influences? 
In addition to the elevator pitch in question 1: 
Chris Cornell, Nina Simone, Fantastic Negrito, Deftones, Afro Celt Sound System, The Absence, Dave Brubeck, Screaming Jay Hawkins, Fleetwood Mac, Lamb of God, Nevermore 

 

6.  So, you're a guitarist.  Most guitarists that I know tend to be really into their instruments, their pedals, and their rig.  This is your opportunity to indulge in a lavish description of your favorite musical toys, if you would like to do so. 
I LOVE gear but I don't have or use a ton of it. I don't want to "hide" behind too many effects. . . aaaand I don't like having to keep up with too much stuff. [LMAO!!!!!] 

Boss Metal Zone pedal is my absolute jam for electric. It pairs well with most of my guitars and Vox tube amp; just kinda sucks that the price hasn't gone down in over 20 years. For Acoustic: I use a series of loopers, a Digitek Trio, a dope vocal dohickey from TC Helicon, and devices for backing track playback. On occasion, I'll also use a A/B box to split my guitar between two different amps with separate pedal setups. The concept adds more texture to my overall tone. It also affords the opportunity to alternate my set between full band sound and intimate feels. 

 

7,  How are you dealing with this pandemic from a music standpoint?  Touring is out of your toolbox for the moment, has anything taken its place? 
Maaaaan, Covid swooped in and snatched my gigs like an owl pouncing on an unsuspecting field mouse. [Mike interjects: This might be the greatest of all similes.] That was painful; financially of course but even more so on the emotional and mental front. I figured I try to use the "mandatory" down time to work on writing and finally getting around to cleaning my house. It's amazing how many pieces of life get neglected when you don't take enough time to tend to stuff. As for the music as a whole, live streaming has become the new trend but it does not and cannot replace actual live music IN PERSON. 

There's a special, uncanny bond forged in the heat of the moment between musicians and their audience; a sort of energy exchange that breaks down barriers. I miss that. Genre aside, music, in general, is one of the only few things we [humans] can all agree upon. I don't think I've ever met anyone who doesn't enjoy music on some level. 

 

8,   It's cliché, but it's a good question to end with:  What's next for you? 
A resurgence of gigs, I hope. I miss connecting with people. In the meantime, I do plan to release a single or two or three. . .maybe a video to accompany them. No dates yet but new stuffs ARE indeed coming. I'll keep adjusting to our new normal as well supporting my mates and local small businesses around town. A friend and I have even paired together for a side project, busking around town and such. Busking is the next best step until we're able to navigate proper live gigs in the midst of this pandemic madness and social distancing.

Let me know when it's safe to pop in for a slot in your neck of the woods.

***

Dirty Metal Lefty has indeed stopped by our state on a previous tour, playing in Columbus.  I had planned to go, and ended up not being able to do so, which still makes me sad.  Here's hoping she stops by Dayton someday.  I linked to her website above, but you can also find her on Instagram, Facebook, and Twitter.  Also, you know how Bandcamp has been waiving their fee on the first Friday of every month recently?  Well, Friday July 3rd would be a good date to swing by the Dirty Metal Lefty Bandcamp page and buy some music.