Welcome to Concert Memories May!  All of my Monday blog entries this month will be about memorable concerts.

Toadies had to tread a long and winding road on the way to getting their second full-length album released.  That's a strange thing to write, and is indicative of how much nonsense comes with the music business.  Toadies had a massive radio single and a platinum album, but still had to fight with their label to get Hell Below/Stars Above released.  The release was unsupported by their label, which never made any sense to me.  I think it's a stronger album than their debut.  For me and a few of my friends, it was certainly highly anticipated.  Once the album was released, Toadies hit the road to support it.  They played three shows in Ohio.  I attended all three.

My memories of these shows are too thick and convoluted to write into a cohesive narrative.  I think a bullet list would better fit here.  Here are just some of the things I remember:

• Driving to Columbus, meeting up with friends, then driving to the show in Cleveland
• Meeting Diffuser, conversing with Lawrence, the bass player, and him remembering us at future shows
• Seeing "Dollskin" live for the first time
• Walking down the street with Toadies after the show because we had parked in the same general direction as the tour bus
• Stopping for a snack in Lodi and having that stop be longer than anticipated because the keys had been locked in the car
• Learning all of the Diffuser songs by the next time we caught the show
• Talking to Toadies about Bands on the Run
• Realizing that "Paper Dress" was making a serious challenge as my favorite Toadies song 
• Enjoying the Toadies' nod to their influences, as they covered "Where Is My Mind?" every show

Here's a picture with my friend Brandy after the Cincinnati show, with Mark and Clark from Toadies.

Welcome to Concert Memories May!  All of my Monday blog entries this month will be about memorable concerts.

This time we're going to party like it's 1999... well, because this show happened in 1999.

The third Local H album was Pack Up the Cats, and even though it was released in 1998, the band was still on tour to support it in 1999.  Local H had a massive radio hit single from their previous album, and I had seen them before when they were on the road touring with that one.  They opened for Stone Temple Pilots on an arena tour, and I caught them at the Nutter Center in Dayton.  This show though, instead of being in an arena, was in a properly sized venue for a rock and roll show.

Normally at the Newport Music Hall, there is a crowd control barrier in front of the stage.  This serves to give a space of a few feet between the crowd and the stage, and this space is populated with security staff and professional photographers for the more crowded shows.  Immediately upon entering the big room for this particular show, my group and I noticed that the barrier was gone.  Indeed, we could lean right up on the stage, giving the show a much more intimate feel.  We were actually able to talk to the musicians during the show, as we were close enough to be heard. I swear that I could even feel the air being pushed by Joe Daniels' kick drum.

If you're not familiar with Pack Up the Cats, well, it's a concept album about playing in a rock and roll band.  The band leaned into the album, opening the concert by playing the first 9 songs from it in order.  For a group who wrote a self-deprecating song about not being a very good live act, they brought the frenetic, high-energy performance they were known for.  These guys have been road warriors for years, both before AND after this date in 1999, going out and earning it night after night in town after town.  In fact, Local H are still at it. 

One of my favorite lyrics from the album - and from this show - is from the song "Hit the Skids"... .
I'm in love with rock and roll / but that'll change eventually

I related to those lyrics when I was 22, and well, it hasn't changed yet... but maybe eventually.

Welcome to Concert Memories May!  All of my Monday blog entries this month will be about memorable concerts.

Oh look, what do we have here?

That's right, a superstar Canadian band, who were accustomed to playing arenas and stadiums in their home country, played back-to-back nights at a dance club in Dayton, Ohio for SEVEN DOLLARS each night.  How in the world did that happen?  

These shows happened just after a creative crossroads with the band.  Guitarist Mike Turner had left the band, and there was an open audition process for the job.  Once the position was filled, the band finished up Gravity, which was their fifth album.  When a superstar band releases a new album, they generally go on tour to support it... at least, this is how things used to work.  Of course, they would probably have to play the singles and crowd favorites from their earlier work, and gel properly with the new team member in front of an audience.  If you were part of a superstar Canadian band, and you wanted to put in some work in front of a live audience whilst remaining somewhat off the radar, where would you play the show?  Our Lady Peace chose to play in Dayton, Ohio.  These two shows were the first shows that new guitarist Steve Mazur would play with them.

I remember being a massive fan of this band since their first album Naveed came out while I was in high school.  They didn't get to popularity in the United States until their second album Clumsy showed up in 1997 with hit singles "Superman's Dead", "Clumsy", and "4am".  Their third and fourth albums weren't remotely as popular here if memory serves, but strangely enough, I liked them both even better.  I am pretty sure that several of my friends agree with me on this... and we jumped at the chance to catch an act like this in a small venue in our home state.

I fondly remember waiting in line outside for the doors to open, and hearing the soundcheck happening inside the venue.  This surely doubled as extra rehearsal, as one of the songs we could hear was "The Story of 100 Aisles", and they didn't play that one during either night's show.  I also remember having a nice conversation with some folks who drove all the way from Toronto to catch both shows.

The shows themselves featured plenty of songs from Gravity, which hadn't been released yet.  The lead single had hit radio and MTV, so that one was familiar.  Our Lady Peace were definitely working out the kinds for their upcoming tour.  It was interesting to see professionals like these gentleman have some bumps and stumbles along the way during the two shows, it made them seem more human.  (The younger version of me who went to these shows was even more inept at playing his instrument than the current version of me, and was easily awed by rock stars.)  We could tell they were shaking off a bit of rust at times. Raine completely forgot the words to the verses in "One Man Army", but it was ok, because the audience gleefully sang them. They made sure to "play the hits", and a coupe of other favorites from their older albums, making for consecutive excellent nights of rock and roll.

One last thing that I'll add, on brand for me as a bass player.  I always quite enjoyed Duncan Coutts' work, but I found his live performance extra inspiring.

Welcome to Concert Memories May!  All of my Monday blog entries this month will be about memorable concerts.

Once upon a time, I was somewhat obsessed with The Cranberries.  Not only did they have a tastefully named bassist, their Irish roots shone through the singer's voice, making them a new thing to me in the world of rock and roll.  I mentioned this show briefly in a previous blog entry, as a background detail to a sad story.  This show was enjoyable enough that it's a shame that I usually remember it that way first.

This happened at Veterans Memorial in Columbus, Ohio... which isn't there anymore.  There is a museum with that name on the site in Columbus, but that is not the concert hall where I went to this show.  The venue had your classic concert hall seating, surely intended as a home for an orchestra.  Our seats were in the balcony, way up high... in fact, I think we might have been in the very last row.  (Give me a break on the details, this was a LONG time ago.)  I attended this show with a group of good friends, some of whom are no longer with us, and some of whom I have lost touch with.  That detail in itself is kind of a sad reminder of the passage of time.

At this time, The Cranberries were still touring in support of the No Need To Argue album, which brought them international stardom.  With only two albums out at the time, we all knew every song, and as happens at shows like this, there was a great deal of singing along.  We were all in for a surprise... they played one song twice.

Dolores told the audience at one point that they were shooting a music video for "Ridiculous Thoughts", and that they would need to play the song again.  There was a wardrobe change involved for this.  (The outfit was the pattern of the flag of the United States, and not, strangely enough, the flag of Ireland.)  That's kind of cool... not only did we get to hear a very good song twice in the same night, the music video is a permanent memento of this specific concert.  In case you have never seen the "Ridiculous Thoughts" video, here it is:

Remember when I told you that you should listen to the Duet or Don't podcast, hosted by Baby Molly?  If perchance you took me up on that advice, you've already heard from Emmrose.  This talented young artist appeared on the episode that was released on March 15th, where she and Baby Molly created a song called "If I Knew When".  The interview was engaging, and while those of you who are my age would no doubt refer to Emmrose as "a kid", she sounds more mature than she is.  Is that a result of songwriting, or is her level of maturity what drives her to write songs?  I probably should have asked that question in the following interview.  I didn't.  Oops.  Hey, I'm a musician, not a journalist.

"The Imposter" is her latest single.  To listen on Spotify, click here.

After the photo, let's amplify the voice belonging to Emmrose.

1.  "The Imposter" is the most recent single you have released.  That's a fully fleshed-out arrangement.  In addition to your vocals (including harmonies), I am hearing drums, an electric piano of some sort, bass, an acoustic guitar, and some things I can't identify, which probably means synth.  I'm a solo artist who writes for full band arrangements, so I'm curious to learn from YOUR process for this.  Are you writing and arranging all of the parts?  If so, how do you approach deciding which instruments will best bring the song to life?  If not, where do you start when you do a demo, and how does the arrangement get determined? 

I collaborate with my producer, Mike Abiuso, on all the arrangements for my songs. He’s an amazing musician and composer, and it’s really fun when I have some crazy idea I could never play on the guitar, and he can really just flesh it out. Other times he’s full of ideas, and I pick the ones that fit in the song best. I think we work really well together when it comes to my overall sound!

2.  What was the first album you can remember buying with your own money? 

Oh gosh this is so embarrassing... but I don’t think I’ve ever actually paid for music. I was born in 2003, and I kinda just grew up with streaming! I’ve never used cd’s or cassettes, but I do own a lot of vinyl from my dads collection. I mainly just use his records when I want to play something at home. We have really similar music taste, so if it’s something I want to buy, he probably has it already.

3.  Tell me about the last concert you saw. 

It was Clairo playing at the Brooklyn Steel! What a amazing concert. Hello Yello and Beabadoobee opened for her, and they were just amazing. Definitely a dream of mine to play there. I love the atmosphere of that venue. Clairo is one of my favorite artists, I think her music is amazing!

4.  This is going to be two related questions for the price of one.  When did you start learning how to play music?  When did you start writing songs? 

I’ve pretty much been singing forever. I’ve always been musical and creative. I would sing little songs around the house, coming up with stories in my head. I think I’ve always known I would be a songwriter. The few memories i have from growing up are all about my first experiences in songwriting and music, and how much it impacted me as a person.

5.  What artists do you consider to be your biggest influences? 

Vocally I would say Florence + the Machine and Lana del Rey. A lot of my songwriting inspiration definitely comes from Radiohead and Clairo. I love how they break the mold of traditional pop \ rock songs.

6.  What is your biggest challenge when it comes to making music? 

Finding inspiration can sometimes be a real struggle. I can’t just make a song about nothing, ya know? I can’t chug out song after song after song without any real feelings behind it. But when inspiration comes, It’s honestly so easy to sit down and write a song. It’s like the lyrics just come to me.

7.  How do you intend to keep growing as a musician and a songwriter?

I don’t think I’ll ever really stop writing songs and making music. I’ll do it forever. I hope I can grow my career as an artist and a songwriter- but it’s my love for music that really keeps me going.

***

You know that feeling of discovery you get from your friends, acquaintances, colleagues, classmates, or random other people recommending music to you that you aren't familiar with?  That, or when you discover what a musician you dig is into, and then you go investigate that music?  Well, this is me after reading these answers from Emmrose, then running to the Internet to find out who "Clairo", "Hello Yello", and "Beabadoobee" are.  There's clearly some generation gap here, but hey, I just found out about three artists that I didn't know anything about, and now I have some new stuff to listen to.  Maybe I'll like it, maybe I won't, but the discovery is the important thing here, yes?

Emmrose is releasing a new single called "Waitlisted" on May 7th.

In addition to her official website, you can catch up with Emmrose on Facebook, Instagram, and Twitter.

Dad's Album of the Week is back.  This is the series where I briefly review my late father's vinyl.

Rush - Exit...Stage Left

Dad was a drummer.  He loved Neil Peart and his work, as drummers typically do.  Neil Peart outlived him.

This one is a live album, and a double album.  Four sides, thirteen songs.  Let me tell you, it sounds much cleaner and clearer than I expected for a live album that came out in 1981.  

For lovers of rock and roll, there is something here for everyone.  There are guitar solos.  There are bass solos. (There is plenty of Geddy Lee prowess on display.)  There is an extended drum solo and fills just about everywhere.  There is plenty of synth.  At times it's hard to remember this is a three piece band, because there seems to be more sounds happening than three people should be able to make at a time. There are interesting time signatures and all sorts of musical goodness, and this was all apparently impeccably played night in and night out in front of audiences around the world.

This one... turn it up loud.

Let's get international again over here on Amplified.  Today we meet an Italian... an Italian who hosts a podcast called Dare to Be Seen. This podcast features independent female singer-songwriters and lets the world into their individual stories, songs, and lessons learned along their musical journey. The goal is to help women to shine in a male-dominated industry.   Click here to check out the Dare to Be Seen podcast. 

But wait!  That's not all that Elyssa does.  She also does free Kickstart Your Project Consultations as an artist and creativity coach. Click here for more details. 

Let's get to the interview after the photo.

1. Let's hear the elevator pitch for your skill set and genre.

I make Indie folk rock with Cabaret and Celtic European influences and sound like a mix of Jade Bird, Neko Case and Martha Wainwright’s Italian Sister.

2. I saw some videos of you in your studio working on songs.  How long have you been doing your own engineering?  Do you also handle your own mixing? 

I started learning about audio engineering two decades ago as a result of getting frustrated with other people having control over my recordings. I decided I needed to learn how to do things myself so I asked some friends to help me. However, I decided that was not enough so I enrolled in some university courses so I could learn about recording techniques and midi sampling. I then decided to let someone else do the mixing for me. After a few years and a lot of money wasted I refreshed my knowledge by taking another college course in audio engineering but the truth is that I do not enjoy spending a lot of time mixing. So I tend to use logic or ableton to record and do a basic mix and then, unless it is a demo, I will ask a studio to finish it up and make it sound amazing. 

3. What was the first album you can remember buying with your own money? 

Weirdly enough an album by The Trees, a super obscure English psychedelic folk band of the 70s. I got the LP from a second hand shop after listening to it in someone’s basement in Edinburgh. I had other records before but they were either vinyl my brother gifted me (Queen, Led Zeppelin, Doors, Bob Dylan) or cassette tapes as a teenager. Yes I am that old. 

4. Tell me about the last concert you saw. 

Oh my , that was a long time ago, pre-covid. I think it was the Flight of the Conchords in Glasgow! they were amazing, and the the stadium was packed. I had first seen them in New Zealand two decades prior when nobody knew who they were and swore they would be famous. We used to play at the San Francisco Bath house together! (though they won’t remember me ;P )  Well they are now super famous which goes to show I am a good talent scout! Maybe I should change job…:) 

5. You're bilingual.  How do you decide which language to use when you write a song? 

The country in which I currently live has been the biggest influence. So when I lived in Italy I wrote in Italian and when I lived in English speaking countries I wrote in English. However, recently I have started writing more in Italian mainly because it really is a lot easier for me to remember lyrics in Italian. I also have been told that my voice sounds better in that language. I am not sure that is true, but I feel that writing in Italian can be easier and possibly closer to who I am.... ? At the same time, it depends on the subject matter too. I left Italy when I was 18 so there are some themes I 
learnt to explore only later. Especially when it comes down to feelings I learned to express myself in English a lot better after leaving Italy. So it’s a bit tricky. It is important to me that my audience understands my lyrics. That has always been the most important factor, but now I am beginning to think that maybe that’s not something I should focus on too much just because otherwise I would never again write in Italian! So I tend to have a 50% ratio, or at least aim for that. 

6. Which artists do you consider to be your biggest influences? 

I have lots of influences, but mainly Italian  singer songwriters from the 70s (De Andre’, Battisti, Guccini) , prog rock bands such as the King Crimson, classic rock such as Led Zeppelin, Doors and Queen, and English, Irish and Scottish folk especially from the 70s, like The Trees and Sandy Danny and  American  storyteller / poet songwriters such as Bob Dylan, Leonard Cohen and Joan Baez. 

7. If you could choose for a listener to learn one thing about you from listening to your songs, what would that be? 

That we need to talk about taboo and uncomfortable truths. We need not shy away from the darkness in our souls in order to transform,  transmute and transcend. Transformation begins with acceptance. Shining a light on our fears is the first step. Then we need to harness our courage to use our pain to help us learn how to be happy. Of course we cannot always be happy and that’s ok too. 

8. What's next for you? 

I have an acoustic album of new songs that I want to record. It will be more stripped down than the last three albums, probably just guitar and voice or piano and voice. I am re-learning to play the piano and it’s super exciting !! I also have an electronic project on the go which is completely different from anything I have ever done... recently I attended a Berklee School of Music Songwriting course that blew my mind. I am now inspired to go back to some of the songs I have already written and re-work them to make them even better. I wish I had three times for time in my day to do all the things I want to do… and if I could I would just play music all day! I also am into my drumming a lot and am planning to start a new band as a drummer vocalist when I move to New Zealand in September. We will see if I can keep a beat and sing at the same time!

***

You can connect with Elyssa over on her official website, and also on Facebook, Instagram, and Twitter.

Dad's Album of the Week is back.  This is the series where I briefly review my late father's vinyl.

Al Di Meola - Elegant Gypsy

The name of this album has aged poorly, as I understand that the Roma people, elegant as they might be, do not prefer the exonym used here.  This album was released in the year of my birth.  Yes, I'll make you look that up.

Al Di Meola is a guitarist - which should be obvious from the cover.  He was in Return to Forever before releasing his own music.  This is his second solo album.  It is wordless.  There is a great deal of guitar playing, very jazzy, lead bits, and such.  It's not my thing.  Maybe that's because Stanley Clarke isn't on this album, though I mean no offense to Anthony Jackson.  Maybe that's because the music is not as incendiary as what I have heard from Return to Forever.  This gentleman is a virtuoso at his chosen instrument, so if you play guitar, it might very well be your thing.

Chris Keats is the first British person to appear here on this interview series.  After the picture, let's amplify his voice... and as I did with our Canadian guest recently, I have left the  English spelling unchanged.

1. Let's hear the elevator pitch for your skill set and genre. 

Music to me is better than therapy. After my mum died by suicide I promised myself that I would do something everyday to make myself a better musician & a better human being. I write acoustic folk pop songs to heal both myself & others. 

2. Your bio says you're a world traveler.  Can you give me three countries you have visited that are foreign to you, a favorite food you experienced there, and something you have learned from your visit? 

The first place that comes to mind is Kathmandu in Nepal. I spent 3 months there in 2013 volunteering with a charity called The Umbrella Foundation which helped children who were trafficked during the civil war get back to their families, as well as clothing & educating them. We ate a lot of Dal Bhat with the children for breakfast & dinner but my favourite was a Nepalese Thali! Lovely! I learnt first hand what malnutrition looks & feels like & the impact that had on the lives of the children. I also realised how lucky I was & am to live in the west & to have a fantastic quality of life. 

Secondly I went to Rome in 2018 for a solo adventure. The pizza was amazing! (I wasn’t vegan at that point so it was meaty pizzas!) I learnt that there are other ways to live, other than the live to work life I had led in England. That the Italian people love life & they live it to the fullest! Very inspiring. 

I went to India in 2015 for 3 months. I loved the Massaman Curries I had there. I had it a lot. With a little bit of spice it was so tasty! I’d go back just for the food. What did I learn there? I learnt a lot about just being, rather than doing. I learnt to appreciate the small things. I learn what it was like to live in a chaotic but beautiful society. I re-learned to love my own company & be with myself. 

3. What was the first album you can remember buying with your own money? 

There are 2. The first one was 2 Unlimited’s second album called No Limits, which is a pop dance record which I loved! I’m listening to it now! 

I also remember buying Queen’s Greatest Hits 2 with my Dad at Virgin Records Stores in Brighton & then on the way home the car ran out of petrol and we had to wait by the side of the road for what felt like forever before getting more petrol & finally getting home! Such a great album! I love Queen! 

4. Tell me about the last concert you saw. 

Wow! The last proper gig I went to was in February 2020 to see City & Colour at The London Palladium! It was great. It was one of those gigs where I was incredibly into the band at the time & they had a new album out which was great. I miss playing & going to gigs so much right now! It’s been far too long! 

5. It seems like songwriting helps you to deal with trauma and pain and general life difficulty. When you write something to help heal yourself, how do you decide if you should also share it with an audience? 

Yes songwriting has been therapy for over a decade now. Since 2006 really.  

I have held back on some of the more painful songs I’ve written but I made the decision quite recently to start playing them & to record them. I’ve come to realise that I don’t know whether a song will be successful or not, or whether it is a good song or not. So I’ve decided to let the people decide. If I release a song & it helps one person that is a success to me!  

So going forward I won’t be holding back! 

6. Among the influences you note in your bio, I am only familiar with the music of Neil Young, so this question is about his music specifically.  What things from Neil Young's vast array of sounds, styles, and songs do you take with you into your own work? 

I love all of his music but my songwriting is influenced by his Harvest era work, After the Goldrush, Zuma & also Rust Never Sleeps. I love Harvest Moon too! I always planned to start with an acoustic set & then have the second half of the set be electric. That’s still a plan of mine! 

7. How has the ongoing pandemic affected your music career? 

I have meant not playing shows for the longest time I’ve had for decades. It is only recently that it has really started to bother me. I’m very patient but I’ve got to the point where I want to play live shows & go & see other artists perform. I want to go & perform at festivals & get back to travelling & playing shows!  

It has been a financial challenge as I would ‘normally’ be funding my music career with the money I make from working as a Physiotherapist! That isn’t possible right now.  

Ultimately it has meant I’ve started coaching the guitar & ukulele more and learnt a lot about how the music industry & the music business works & about marketing my artist career & growing my fanbase. I also wrote a lot of songs in the first lockdown that I must go back to. 

Overall I have made a positive time of it! 

8. So far, you have released a few singles.  What's next? Do you have plans to make an album? 

Yes I’ve released 4 singles since September 11th 2020 with a new single, SPOTLIGHT, out on April 9th. Then my first EP WHEN THE SAILS COLLAPSE, AS LIVE is hopefully coming out in May.  

I want to release my first album in either March or September 2022 & record a total of 3 albums by 2025. 

I’ve spent a lot of time in the last year learning the business side of the industry so it’s time to write a lot more songs & get back into the studio!

***

Did you notice that Chris Keats has a new single coming out this week?  "Spotlight" is coming your way on Friday, April 9th.  Click right here to follow Chris on Spotify.  

You can also find Chris over on Bandcamp, Instagram, Facebook, and Twitter.

I had this bass line in D major around for awhile.  It was fun enough to play through that it deserved to have a song written around it, even though I don't generally write in major keys.  The bass line best lent itself to Latin-influenced music... cumbia, salsa, rumba, merengue, bachata... something like that... the problem is that I don't know how to write any of that music.  Where would I begin?

I began with research.  I listened to a handful of songs from each of the above mentioned genres.  This part of the process probably deserved a lot more time than I dedicated to it... but it was a decent start.  Next, I asked a few friends who I know listened to Latin music if they could tell me more about it.  That didn't work.  The general answer there was that they have it around to dance to, but they couldn't really tell me anything about it.  (Note to self:  do NOT ask non-musicians about music.)  On to the Internet!

For some reason, salsa became the genre of choice here.  Any article or commentary I could find online about salsa music history and structure, well, I devoured it.  I learned that the traditional structure for this genre doesn't even remotely resemble the way that I understand songwriting... then decided that if I attempted to be "authentic" and write a salsa song by traditional structure without truly understanding it, well, that's not very authentic at all, is it?  The solution?  I ended up writing a pop/rock song in the normal pop/rock tradition, but with Latin influences.  Of course, the lyrics had to be in Spanish, there was never any doubt about that.

The result is "Baile Conmigo".  Here are the lyrics.

Baile conmigo 
Baile conmigo 

Oye hermosa 
Pareces muy sola 
Charlar contigo 
No hay quien osa 

¿Por qué? 
¿Por qué? 

Oye hermosa 
Tanta guapeza 
Hace una persona 
Muy muy nerviosa 

No soy metido 
Te hablo, te pido 
Te hablo, te pido 
Baile conmigo

This is what the artwork for it looks like.

As usual with my songs, I had a several very talented folks help out with this recording.  Here are the song credits:

Mike Bankhead - bass, piano, vocals 
Khrys Blank - claves, shakers, all sorts of percussion 
Brian Hoeflich - drums 
Phillip Bradley-Hutchinson - trumpet 
Erich Reith - congas, all sorts of percussion 
Rich Reuter - guitar 

Produced by Patrick Himes & Mike Bankhead 

Engineered & Mixed by Patrick Himes at Reel Love Recording Company, Dayton, Ohio

***

Percussive power couple Khrys and Erich were kind enough to do their usual moving and shaking all over the recording, supporting Brian Hoeflich's steady drumming.  (I asked him if he could give me a salsa beat, and he gave me a salsa beat.)  Phillip Bradley-Hutchinson's trumpet is a perfect addition.  Rich Reuter deftly brings lead guitar licks that sing ever so smoothly over all of it.  Finally, as usual, Patrick Himes and engineering and mixing skills present the best version of my work... and he didn't even blink when the indie rock guy showed up with a decidedly non-indie rock song.

This song was recorded amongst the songs that ended up on Anxious Inventions & Fictions, but doesn't really fit in with those songs, so it stands on its own as a single.

You'll be able to listen to "Baile Conmigo" this Friday April 2nd.  It will be available right here on my website, and also over on my Bandcamp page. You'll be able to download on Bandcamp for "pay what you wish" pricing, even if what you wish happens to be zero.  If you do decide to offer some small measure of compensation for the download on Bandcamp, well, since April 2nd is Bandcamp Friday, 100% of all funds will come straight to me, as the kind folks at Bandcamp are waiving their customary fees that day.