Kyleen Downes is a true professional. She plays, she writes, she sings, she teaches... and radiates joy when making music.  Every time I go see Kyleen play a show, I end up less grumpy when the show is over than I was before it started.  The community of musicians in the greater Dayton area is better for having her be a part it. 

This is her official music page. I have everything here on compact disc, and I assure you, it's all good.  Why not get yourself a copy of her latest album, Come On Sit Down, on vinyl or CD?

How about we get to know Kyleen a little better?  After the photo, I amplify her voice.

Photo by Jennifer Taylor

1.  Let's hear the elevator pitch for your skill set and genre. 

The best one I’ve come up with is my music sounds like if Tom Petty and Sheryl Crow were raised on TRL. 

2.  You have a Bachelor's degree in Music.  For musicians who are not formally educated in music, but wish to improve, what's a simple piece of advice you could give? 

While I was getting my degree I was inundated with so much information, I was discouraged that I wasn’t retaining what I was learning. But as the years have gone by, many concepts have clicked. So my advice would be, don’t feel like you need to know it all, incorporate what you do know (value it!) and more will come as you go. 

3.  What was the first album you can remember buying with your own money? 

I made two album purchases that day with my own money: The Men In Black soundtrack and Weird Al Yankovic Bad Hair Day.

4.  Tell me about the last concert you saw. 

I saw Cat Power, Garbage and Alanis Morissette at Riverbend in September. A friend invited me and had 3rd row seats, I’ve never been that close before! Cat Power’s performance was gorgeous and humble. Then Garbage performed and they damn near killed me with the bass, but it was awesome. Shirley Manson now has a place on my badass women list. Halfway through one of her songs she called someone out in the audience and said “Hey Kelly” then proceeded to finish the song. Afterwards, she proclaimed how amazing the universe is that in a sea of people she saw their server from the night before, Kelly. She then told the audience that Kelly was in a band called Flying Underground and that she checked them out on the Instagram and said their stuff was great! SO fun! Finally Alanis Morissette came out with her stellar band and washed us all in her unbelievable voice and energy. The concert was incredibly uplifting and an experience that I got to have with two of my closest friends. 

5.  When did you start playing guitar?  Why did you choose guitar as your instrument? 

I started playing guitar when I was 12 years old after my parents gave me one for Christmas. I wish I knew why I chose guitar because it has become such a huge part of my life. As a kid I did love singing musical and Disney songs, and I also played clarinet, but I really don’t know why I chose guitar. I asked my mom once why they got me a guitar for Christmas and she said, “I guess you must have asked for it.” Makes sense Mom, haha! 

6.  You're a solo artist, even though you write full band compositions.  I can relate.  When you finish a song and are thinking about heading to the studio with it, how do you approach making choices for arrangement and instrumentation? 

The songs I take to the band, I work out structure and instruments parts with them. The songs I’ve worked out on my own will often take shape in the studio. I may have an idea of trying something on a particular instrument but won’t know until I try it. I now have an interface and some GarageBand skills to try out more arranging beforehand, I’m excited to see how it works out! 

7. Can you name three influences on your songwriting and sound, along with some details on how you incorporate those influences? 

I’m influenced by whoever I am listening to or perhaps learning to play on guitar. I developed one song on guitar when I was pretending to be Jimi Hendrix in my basement. It sounds nothing like Jimi Hendrix but who does!? It was more how he moves his fingers on the neck that I was trying to imitate. That song I co-wrote with Emma Woodruff for her album Longing for Something I Ain’t Got and it’s called "Yellow Springs Thing". 

A song of mine, not yet released, called "Tell Me What I Want to Hear" was influenced by Prince. I was hearing something in my head that sounded sexy and staccato, so I developed the song with his aesthetic in mind. 

A local influence came out when I was writing my song "Big Top" and that’s the duo Biscuits and Gravy. The acoustic punch of Harold Hensley and the sassiness of Cassandra Barker really drove the tone of that song. 

8.  So... when do we get more new music from Kyleen Downes? 

2022! No specific details but I’ve got new songs written and will be recording soon. They each have very distinct voices so I plan to release them as singles throughout the year.

***

The video for "Give Up the Ghost" is great, and you should watch it.  I've already linked to the official home of Kyleen Downes on the Internet, but here's her website again.  You can find her music there, as well as on all of your normal streaming services.  You can also find Kyleen on Facebook, Instagram, and Twitter.

I am absolutely thrilled that Kyleen is willing to play with me THIS WEEK, when I play live on WYSO.  Again, she is a true professional.  Rehearsals have been solid, and I warmly invite you all to tune in on WYSO dot org Wednesday 13th October at 8 PM Eastern, and you'll hear Kyleen's fine guitar work and harmony vocals.

Have you watched the music video for "Wapakoneta" yet?

If not, well, this is it:

Do you see that black shirt with the red roses that I am wearing in the video?  I am giving that away.  I have worn it exactly once.  It has been laundered, and is hanging in my closet, waiting to meet someone new.

If you would like the shirt off my back, all you have to do is join my mailing list.  You can do that by clicking here, or by heading to the home page of this website and scrolling down.  To enter, just add your email address, your first name, and your last name.  That's it.  Simple, right?

I will do a drawing in two weeks from all of the eligible entries, and I'll send the shirt to the winner in the mail.  You'll also get a present right away, just for signing up.

Yes, I realize it has been a few months since my last blog.   Part of that is general life business.  Part of that is struggling with being in a dark place that I've written about before.  Let's agree to call it a brief hiatus, and I'll make an effort to get back to regular updates.

Hey, here's some news!  You might be aware that I released a new single on 20th July.  Well, I decided to shoot a music video for it.  Now, this is not a skill set that I have.  How did I go about making a music video in nearly complete DIY fashion?

First, I looked for information.  I found every Internet source that I could find about "how to make a music video".  I consulted fellow musicians who had experience in producing and releasing their own videos.  I took the information I learned and set about preparing in advance how best to execute the project. 

One of the things I learned is that before you decide to shoot a video, you need to decide WHERE to shoot the video.  For a song called "Wapakoneta" that specifically mentions Auglaize County in the lyrics, I figured that as much of the video as possible should be filmed in that city and that county.  Here are some photos from location scouting:

I'd really like to have draped by bass over Neil Armstrong there and taken a photo, but I think that might have landed us in some trouble with the local authorities.

My wife and I had different ideas about how to go about doing the video, so in the spirit of cooperation and compromise, we co-directed.  We plotted all of the scenes in advance on a shot sheet, and matched each of them up to specific segments of the song.  On the days where Misty was the director, I stayed out of the decision-making process.  On one of those days, I didn't even attend the shoot.  On the days where I was the director, well, I tried to keep her out of the decision making process.  A dear friend of ours (shout out to Cara Shay) filmed everything on an iPhone of some sort.  Since I do not have video editing skills, I hired a professional to take care of that.  Other than fuel and time, the editing was the only expense.

The video for "Wapakoneta" makes its debut next Monday 27th September via a Facebook Premiere... well, if I can figure that out.  I posted it by accident, then immediately deleted it.  I'll do a YouTube Premiere on Tuesday 28th September.  See, the nice thing about a premiere is that we all get to watch the video together and have an online chat about it at the same time.  While we're all waiting for next Monday, I'll upload brief snippets so you can have an advance look and maybe also a behind the scenes peek at the process.

Welcome to Concert Memories May!  All of my Monday blog entries this month will be about memorable concerts.

Toadies had to tread a long and winding road on the way to getting their second full-length album released.  That's a strange thing to write, and is indicative of how much nonsense comes with the music business.  Toadies had a massive radio single and a platinum album, but still had to fight with their label to get Hell Below/Stars Above released.  The release was unsupported by their label, which never made any sense to me.  I think it's a stronger album than their debut.  For me and a few of my friends, it was certainly highly anticipated.  Once the album was released, Toadies hit the road to support it.  They played three shows in Ohio.  I attended all three.

My memories of these shows are too thick and convoluted to write into a cohesive narrative.  I think a bullet list would better fit here.  Here are just some of the things I remember:

• Driving to Columbus, meeting up with friends, then driving to the show in Cleveland
• Meeting Diffuser, conversing with Lawrence, the bass player, and him remembering us at future shows
• Seeing "Dollskin" live for the first time
• Walking down the street with Toadies after the show because we had parked in the same general direction as the tour bus
• Stopping for a snack in Lodi and having that stop be longer than anticipated because the keys had been locked in the car
• Learning all of the Diffuser songs by the next time we caught the show
• Talking to Toadies about Bands on the Run
• Realizing that "Paper Dress" was making a serious challenge as my favorite Toadies song 
• Enjoying the Toadies' nod to their influences, as they covered "Where Is My Mind?" every show

Here's a picture with my friend Brandy after the Cincinnati show, with Mark and Clark from Toadies.

Welcome to Concert Memories May!  All of my Monday blog entries this month will be about memorable concerts.

This time we're going to party like it's 1999... well, because this show happened in 1999.

The third Local H album was Pack Up the Cats, and even though it was released in 1998, the band was still on tour to support it in 1999.  Local H had a massive radio hit single from their previous album, and I had seen them before when they were on the road touring with that one.  They opened for Stone Temple Pilots on an arena tour, and I caught them at the Nutter Center in Dayton.  This show though, instead of being in an arena, was in a properly sized venue for a rock and roll show.

Normally at the Newport Music Hall, there is a crowd control barrier in front of the stage.  This serves to give a space of a few feet between the crowd and the stage, and this space is populated with security staff and professional photographers for the more crowded shows.  Immediately upon entering the big room for this particular show, my group and I noticed that the barrier was gone.  Indeed, we could lean right up on the stage, giving the show a much more intimate feel.  We were actually able to talk to the musicians during the show, as we were close enough to be heard. I swear that I could even feel the air being pushed by Joe Daniels' kick drum.

If you're not familiar with Pack Up the Cats, well, it's a concept album about playing in a rock and roll band.  The band leaned into the album, opening the concert by playing the first 9 songs from it in order.  For a group who wrote a self-deprecating song about not being a very good live act, they brought the frenetic, high-energy performance they were known for.  These guys have been road warriors for years, both before AND after this date in 1999, going out and earning it night after night in town after town.  In fact, Local H are still at it. 

One of my favorite lyrics from the album - and from this show - is from the song "Hit the Skids"... .
I'm in love with rock and roll / but that'll change eventually

I related to those lyrics when I was 22, and well, it hasn't changed yet... but maybe eventually.

Welcome to Concert Memories May!  All of my Monday blog entries this month will be about memorable concerts.

Oh look, what do we have here?

That's right, a superstar Canadian band, who were accustomed to playing arenas and stadiums in their home country, played back-to-back nights at a dance club in Dayton, Ohio for SEVEN DOLLARS each night.  How in the world did that happen?  

These shows happened just after a creative crossroads with the band.  Guitarist Mike Turner had left the band, and there was an open audition process for the job.  Once the position was filled, the band finished up Gravity, which was their fifth album.  When a superstar band releases a new album, they generally go on tour to support it... at least, this is how things used to work.  Of course, they would probably have to play the singles and crowd favorites from their earlier work, and gel properly with the new team member in front of an audience.  If you were part of a superstar Canadian band, and you wanted to put in some work in front of a live audience whilst remaining somewhat off the radar, where would you play the show?  Our Lady Peace chose to play in Dayton, Ohio.  These two shows were the first shows that new guitarist Steve Mazur would play with them.

I remember being a massive fan of this band since their first album Naveed came out while I was in high school.  They didn't get to popularity in the United States until their second album Clumsy showed up in 1997 with hit singles "Superman's Dead", "Clumsy", and "4am".  Their third and fourth albums weren't remotely as popular here if memory serves, but strangely enough, I liked them both even better.  I am pretty sure that several of my friends agree with me on this... and we jumped at the chance to catch an act like this in a small venue in our home state.

I fondly remember waiting in line outside for the doors to open, and hearing the soundcheck happening inside the venue.  This surely doubled as extra rehearsal, as one of the songs we could hear was "The Story of 100 Aisles", and they didn't play that one during either night's show.  I also remember having a nice conversation with some folks who drove all the way from Toronto to catch both shows.

The shows themselves featured plenty of songs from Gravity, which hadn't been released yet.  The lead single had hit radio and MTV, so that one was familiar.  Our Lady Peace were definitely working out the kinds for their upcoming tour.  It was interesting to see professionals like these gentleman have some bumps and stumbles along the way during the two shows, it made them seem more human.  (The younger version of me who went to these shows was even more inept at playing his instrument than the current version of me, and was easily awed by rock stars.)  We could tell they were shaking off a bit of rust at times. Raine completely forgot the words to the verses in "One Man Army", but it was ok, because the audience gleefully sang them. They made sure to "play the hits", and a coupe of other favorites from their older albums, making for consecutive excellent nights of rock and roll.

One last thing that I'll add, on brand for me as a bass player.  I always quite enjoyed Duncan Coutts' work, but I found his live performance extra inspiring.

Welcome to Concert Memories May!  All of my Monday blog entries this month will be about memorable concerts.

Once upon a time, I was somewhat obsessed with The Cranberries.  Not only did they have a tastefully named bassist, their Irish roots shone through the singer's voice, making them a new thing to me in the world of rock and roll.  I mentioned this show briefly in a previous blog entry, as a background detail to a sad story.  This show was enjoyable enough that it's a shame that I usually remember it that way first.

This happened at Veterans Memorial in Columbus, Ohio... which isn't there anymore.  There is a museum with that name on the site in Columbus, but that is not the concert hall where I went to this show.  The venue had your classic concert hall seating, surely intended as a home for an orchestra.  Our seats were in the balcony, way up high... in fact, I think we might have been in the very last row.  (Give me a break on the details, this was a LONG time ago.)  I attended this show with a group of good friends, some of whom are no longer with us, and some of whom I have lost touch with.  That detail in itself is kind of a sad reminder of the passage of time.

At this time, The Cranberries were still touring in support of the No Need To Argue album, which brought them international stardom.  With only two albums out at the time, we all knew every song, and as happens at shows like this, there was a great deal of singing along.  We were all in for a surprise... they played one song twice.

Dolores told the audience at one point that they were shooting a music video for "Ridiculous Thoughts", and that they would need to play the song again.  There was a wardrobe change involved for this.  (The outfit was the pattern of the flag of the United States, and not, strangely enough, the flag of Ireland.)  That's kind of cool... not only did we get to hear a very good song twice in the same night, the music video is a permanent memento of this specific concert.  In case you have never seen the "Ridiculous Thoughts" video, here it is:

Remember when I told you that you should listen to the Duet or Don't podcast, hosted by Baby Molly?  If perchance you took me up on that advice, you've already heard from Emmrose.  This talented young artist appeared on the episode that was released on March 15th, where she and Baby Molly created a song called "If I Knew When".  The interview was engaging, and while those of you who are my age would no doubt refer to Emmrose as "a kid", she sounds more mature than she is.  Is that a result of songwriting, or is her level of maturity what drives her to write songs?  I probably should have asked that question in the following interview.  I didn't.  Oops.  Hey, I'm a musician, not a journalist.

"The Imposter" is her latest single.  To listen on Spotify, click here.

After the photo, let's amplify the voice belonging to Emmrose.

1.  "The Imposter" is the most recent single you have released.  That's a fully fleshed-out arrangement.  In addition to your vocals (including harmonies), I am hearing drums, an electric piano of some sort, bass, an acoustic guitar, and some things I can't identify, which probably means synth.  I'm a solo artist who writes for full band arrangements, so I'm curious to learn from YOUR process for this.  Are you writing and arranging all of the parts?  If so, how do you approach deciding which instruments will best bring the song to life?  If not, where do you start when you do a demo, and how does the arrangement get determined? 

I collaborate with my producer, Mike Abiuso, on all the arrangements for my songs. He’s an amazing musician and composer, and it’s really fun when I have some crazy idea I could never play on the guitar, and he can really just flesh it out. Other times he’s full of ideas, and I pick the ones that fit in the song best. I think we work really well together when it comes to my overall sound!

2.  What was the first album you can remember buying with your own money? 

Oh gosh this is so embarrassing... but I don’t think I’ve ever actually paid for music. I was born in 2003, and I kinda just grew up with streaming! I’ve never used cd’s or cassettes, but I do own a lot of vinyl from my dads collection. I mainly just use his records when I want to play something at home. We have really similar music taste, so if it’s something I want to buy, he probably has it already.

3.  Tell me about the last concert you saw. 

It was Clairo playing at the Brooklyn Steel! What a amazing concert. Hello Yello and Beabadoobee opened for her, and they were just amazing. Definitely a dream of mine to play there. I love the atmosphere of that venue. Clairo is one of my favorite artists, I think her music is amazing!

4.  This is going to be two related questions for the price of one.  When did you start learning how to play music?  When did you start writing songs? 

I’ve pretty much been singing forever. I’ve always been musical and creative. I would sing little songs around the house, coming up with stories in my head. I think I’ve always known I would be a songwriter. The few memories i have from growing up are all about my first experiences in songwriting and music, and how much it impacted me as a person.

5.  What artists do you consider to be your biggest influences? 

Vocally I would say Florence + the Machine and Lana del Rey. A lot of my songwriting inspiration definitely comes from Radiohead and Clairo. I love how they break the mold of traditional pop \ rock songs.

6.  What is your biggest challenge when it comes to making music? 

Finding inspiration can sometimes be a real struggle. I can’t just make a song about nothing, ya know? I can’t chug out song after song after song without any real feelings behind it. But when inspiration comes, It’s honestly so easy to sit down and write a song. It’s like the lyrics just come to me.

7.  How do you intend to keep growing as a musician and a songwriter?

I don’t think I’ll ever really stop writing songs and making music. I’ll do it forever. I hope I can grow my career as an artist and a songwriter- but it’s my love for music that really keeps me going.

***

You know that feeling of discovery you get from your friends, acquaintances, colleagues, classmates, or random other people recommending music to you that you aren't familiar with?  That, or when you discover what a musician you dig is into, and then you go investigate that music?  Well, this is me after reading these answers from Emmrose, then running to the Internet to find out who "Clairo", "Hello Yello", and "Beabadoobee" are.  There's clearly some generation gap here, but hey, I just found out about three artists that I didn't know anything about, and now I have some new stuff to listen to.  Maybe I'll like it, maybe I won't, but the discovery is the important thing here, yes?

Emmrose is releasing a new single called "Waitlisted" on May 7th.

In addition to her official website, you can catch up with Emmrose on Facebook, Instagram, and Twitter.

Dad's Album of the Week is back.  This is the series where I briefly review my late father's vinyl.

Rush - Exit...Stage Left

Dad was a drummer.  He loved Neil Peart and his work, as drummers typically do.  Neil Peart outlived him.

This one is a live album, and a double album.  Four sides, thirteen songs.  Let me tell you, it sounds much cleaner and clearer than I expected for a live album that came out in 1981.  

For lovers of rock and roll, there is something here for everyone.  There are guitar solos.  There are bass solos. (There is plenty of Geddy Lee prowess on display.)  There is an extended drum solo and fills just about everywhere.  There is plenty of synth.  At times it's hard to remember this is a three piece band, because there seems to be more sounds happening than three people should be able to make at a time. There are interesting time signatures and all sorts of musical goodness, and this was all apparently impeccably played night in and night out in front of audiences around the world.

This one... turn it up loud.

Let's get international again over here on Amplified.  Today we meet an Italian... an Italian who hosts a podcast called Dare to Be Seen. This podcast features independent female singer-songwriters and lets the world into their individual stories, songs, and lessons learned along their musical journey. The goal is to help women to shine in a male-dominated industry.   Click here to check out the Dare to Be Seen podcast. 

But wait!  That's not all that Elyssa does.  She also does free Kickstart Your Project Consultations as an artist and creativity coach. Click here for more details. 

Let's get to the interview after the photo.

1. Let's hear the elevator pitch for your skill set and genre.

I make Indie folk rock with Cabaret and Celtic European influences and sound like a mix of Jade Bird, Neko Case and Martha Wainwright’s Italian Sister.

2. I saw some videos of you in your studio working on songs.  How long have you been doing your own engineering?  Do you also handle your own mixing? 

I started learning about audio engineering two decades ago as a result of getting frustrated with other people having control over my recordings. I decided I needed to learn how to do things myself so I asked some friends to help me. However, I decided that was not enough so I enrolled in some university courses so I could learn about recording techniques and midi sampling. I then decided to let someone else do the mixing for me. After a few years and a lot of money wasted I refreshed my knowledge by taking another college course in audio engineering but the truth is that I do not enjoy spending a lot of time mixing. So I tend to use logic or ableton to record and do a basic mix and then, unless it is a demo, I will ask a studio to finish it up and make it sound amazing. 

3. What was the first album you can remember buying with your own money? 

Weirdly enough an album by The Trees, a super obscure English psychedelic folk band of the 70s. I got the LP from a second hand shop after listening to it in someone’s basement in Edinburgh. I had other records before but they were either vinyl my brother gifted me (Queen, Led Zeppelin, Doors, Bob Dylan) or cassette tapes as a teenager. Yes I am that old. 

4. Tell me about the last concert you saw. 

Oh my , that was a long time ago, pre-covid. I think it was the Flight of the Conchords in Glasgow! they were amazing, and the the stadium was packed. I had first seen them in New Zealand two decades prior when nobody knew who they were and swore they would be famous. We used to play at the San Francisco Bath house together! (though they won’t remember me ;P )  Well they are now super famous which goes to show I am a good talent scout! Maybe I should change job…:) 

5. You're bilingual.  How do you decide which language to use when you write a song? 

The country in which I currently live has been the biggest influence. So when I lived in Italy I wrote in Italian and when I lived in English speaking countries I wrote in English. However, recently I have started writing more in Italian mainly because it really is a lot easier for me to remember lyrics in Italian. I also have been told that my voice sounds better in that language. I am not sure that is true, but I feel that writing in Italian can be easier and possibly closer to who I am.... ? At the same time, it depends on the subject matter too. I left Italy when I was 18 so there are some themes I 
learnt to explore only later. Especially when it comes down to feelings I learned to express myself in English a lot better after leaving Italy. So it’s a bit tricky. It is important to me that my audience understands my lyrics. That has always been the most important factor, but now I am beginning to think that maybe that’s not something I should focus on too much just because otherwise I would never again write in Italian! So I tend to have a 50% ratio, or at least aim for that. 

6. Which artists do you consider to be your biggest influences? 

I have lots of influences, but mainly Italian  singer songwriters from the 70s (De Andre’, Battisti, Guccini) , prog rock bands such as the King Crimson, classic rock such as Led Zeppelin, Doors and Queen, and English, Irish and Scottish folk especially from the 70s, like The Trees and Sandy Danny and  American  storyteller / poet songwriters such as Bob Dylan, Leonard Cohen and Joan Baez. 

7. If you could choose for a listener to learn one thing about you from listening to your songs, what would that be? 

That we need to talk about taboo and uncomfortable truths. We need not shy away from the darkness in our souls in order to transform,  transmute and transcend. Transformation begins with acceptance. Shining a light on our fears is the first step. Then we need to harness our courage to use our pain to help us learn how to be happy. Of course we cannot always be happy and that’s ok too. 

8. What's next for you? 

I have an acoustic album of new songs that I want to record. It will be more stripped down than the last three albums, probably just guitar and voice or piano and voice. I am re-learning to play the piano and it’s super exciting !! I also have an electronic project on the go which is completely different from anything I have ever done... recently I attended a Berklee School of Music Songwriting course that blew my mind. I am now inspired to go back to some of the songs I have already written and re-work them to make them even better. I wish I had three times for time in my day to do all the things I want to do… and if I could I would just play music all day! I also am into my drumming a lot and am planning to start a new band as a drummer vocalist when I move to New Zealand in September. We will see if I can keep a beat and sing at the same time!

***

You can connect with Elyssa over on her official website, and also on Facebook, Instagram, and Twitter.