If you are on Twitter, you know that, like all social media tools, it can sometimes be useful and sometimes be awful.  If you are not on Twitter, you'll have to take my word on that. My new podcast is a result of one of the useful things. I follow an artist consultant over there on Twitter.  Not only is he tastefully named, he also routinely gives useful advice for independent musicians on his feed. One day his advice centered around remixes.  He said that if an artist has commissioned remixes for one of their songs, they should have a podcast conversation with the person who did the remix.  This provides a useful behind-the-scenes look at the artistic process, and is also valuable content.  You know, "#content".

It turns out, dear reader, that I have a single coming out on March 15th called "Hold the Wick".  If you are currently subscribed to my mailing list, well, you received an email this morning that gives you an early listen to the new single.  (If you are not currently subscribed to my mailing list, I warmly invite you to click the link earlier in this sentence and sign up. That way, you'll be the first to know what I'm working on.)  I commissioned seven remixes of "Hold the Wick".  They come in a variety of flavors. I decided to follow that free advice I picked up on Twitter, and interview the remixers for a podcast. Shortly after I decided to do that, I decided to not stop there.

You really don't want to listen to a podcast if the only thing that will happen is self-promotion, right? I figure that this is the case because I wouldn't listen to a podcast if that was the only thing happening, either.  Ok, my new podcast will definitely NOT be all about self-promotion. I have plenty of interests... sports, travel, languages, history, food, art (outside of music), science fiction, board games... these are just some of them.  There are plenty of people who share some or all of those interests, and I would enjoy talking to them.  I think you would enjoy listening to those conversations.  That's what my podcast is going to be about.  It's called the You Could Be My Aramis Podcast, which you might recognize as the name of my publishing company and LLC.

Those of you in Dayton might remember the Gem City Podcast. Those folks brought us entertaining and enlightening conversations for several years. They covered all sorts of topics, but my favorite episodes were the Wednesday episodes with Terry "IzzyRock" Martin.  If you were a Dayton artist and were releasing a new album or had an important show coming up, you went on Gem City Podcast to talk about the hard work you put into your art, the songwriting process, your gear (the rig rundown), what your childhood smelled like, and any other topic that came up in the conversation. Alas, that podcast is no longer with us. Obviously I do not have their experience or track record, but I would like to make a humble attempt to fill that void in Dayton podcasting. If you are a Dayton artist with a new album coming, and you'd like to talk about it with someone who is ready to listen, well, I'm ready to listen. I am certainly not saying that I can replace Terry and Libby and their fine work, but perhaps I can follow in their footsteps just a little.

What are some of the things you can expect to hear on my new podcast?  Well, it is true that I'll spend the occasional episode talking to the talented people who remixed "Hold the Wick"... we will learn about their approach to remixing, but we'll also learn about their creative process for their own music.  I talk to a musician from the Dallas area and a musician from Chicago during episodes that have absolutely zero to do with self-promotion.  I'll be promoting them. Episode 2 is a wide-ranging conversation with a local doer who has his hands in a few different businesses, and whose face should certainly be familiar to Dayton musicians. The above episodes are all scheduled for release in January.  The first episode to be released in February is a chat with a gentleman who was a fixture in our music community for over 25 years, who remains one of my favorite living songwriters, and who speaks as passionately and eloquently about music as anyone I have ever met.

You should be able to find the You Could Be My Aramis Podcast on whatever platform you normally use to listen to podcasts. Just so that you don't have to search, you can find it right here.  The show notes will live on my official site, just click the navigation menu at the top of the page where it says "Podcast".  That failing, the link is https://mikebankheadmusic.com/podcast. Feel free to subscribe on the platform of your choice.  Please listen.  If you enjoy what you hear, perhaps consider leaving a review?

Episode 1 is coming your way two days from now, on Wednesday January 5th, 2022.

I met Doc a couple of years ago at a music conference.  She has a signature look... a hat, a rat, and always a guitar.  Her artist name is Dirty Metal Lefty, partially because of an innate southpaw status, which is something we have in common.  (I mean, I do play bass like a right-handed person, but I eat, write, throw, golf, swing baseball bats, and shoot basketballs left-handed.)  This is a very talented person who wields the guitar with all kinds of skill... this is the kind of wizardry that eludes me, as I find guitar strings to be too numerous and also way too tiny.

Here's my favorite song from the Neva' On Sundays album, "Ain't No Friend of Mine."

The last time I saw Doc, we sat in a hotel lobby down in Austin singing and playing Chris Cornell songs.  Well, I didn't do the playing, and I did the singing rather poorly, but it was a great time.  No, not that Chris Cornell song.  No, not that one either.  Yeah, and this is also not one of them.  Here's one. Here's another.  Here's a third, that almost makes me cry every time I hear it.   Interview below the picture.

When I run these, I usually put my questions in bold... but Doc used some unique formatting in her response, and I think it's best to show you this interview the way she intended.

1.  Let's hear the elevator pitch for your skill set and genre. 
Blues Inspired Indie-Alt Rock with Jazz and Metal undertones 
Think "If Sade had a baby with Alice In Chains who was REEEALLY into CSN (Crosby, Stills, Nash) and Albert King" 

2.  How did you get started making music?  How soon after you started learning to play did you start to write your own songs? 
I guess from the moment I could make noise and bang on stuff.  Music for me and a headache for others. LOL 
If memory serves me proper, I was around 9 or 10 when I first sat down and intentionally tried to write a song; on a keyboard, surprisingly enough. The songs conjured from lyrics only were usually set to the melody of a song I already knew. #UnintentionalDerivativeCover 

3.  What was the first album you can remember buying with your own money? 
Remember Columbia House music club with their "10 cassettes for 1¢"? 
Alice In Chains - Dirt. And spoiler alert, those cassettes weren't really a penny. Boy did I learn that lesson the hard way. . .   
[Mike adds: You and me both, sista.]

4.  Tell me about the last concert you saw. 
Mon., Mar. 9th - Michale Graves (ex-Misfits) w/ special guest JJ Speaks 
Covid ruined everything after that (>_<)* 

5.  What artists do you consider to be your biggest influences? 
In addition to the elevator pitch in question 1: 
Chris Cornell, Nina Simone, Fantastic Negrito, Deftones, Afro Celt Sound System, The Absence, Dave Brubeck, Screaming Jay Hawkins, Fleetwood Mac, Lamb of God, Nevermore 

6.  So, you're a guitarist.  Most guitarists that I know tend to be really into their instruments, their pedals, and their rig.  This is your opportunity to indulge in a lavish description of your favorite musical toys, if you would like to do so. 
I LOVE gear but I don't have or use a ton of it. I don't want to "hide" behind too many effects. . . aaaand I don't like having to keep up with too much stuff. [LMAO!!!!!] 

Boss Metal Zone pedal is my absolute jam for electric. It pairs well with most of my guitars and Vox tube amp; just kinda sucks that the price hasn't gone down in over 20 years. For Acoustic: I use a series of loopers, a Digitek Trio, a dope vocal dohickey from TC Helicon, and devices for backing track playback. On occasion, I'll also use a A/B box to split my guitar between two different amps with separate pedal setups. The concept adds more texture to my overall tone. It also affords the opportunity to alternate my set between full band sound and intimate feels. 

7,  How are you dealing with this pandemic from a music standpoint?  Touring is out of your toolbox for the moment, has anything taken its place? 
Maaaaan, Covid swooped in and snatched my gigs like an owl pouncing on an unsuspecting field mouse. [Mike interjects: This might be the greatest of all similes.] That was painful; financially of course but even more so on the emotional and mental front. I figured I try to use the "mandatory" down time to work on writing and finally getting around to cleaning my house. It's amazing how many pieces of life get neglected when you don't take enough time to tend to stuff. As for the music as a whole, live streaming has become the new trend but it does not and cannot replace actual live music IN PERSON. 

There's a special, uncanny bond forged in the heat of the moment between musicians and their audience; a sort of energy exchange that breaks down barriers. I miss that. Genre aside, music, in general, is one of the only few things we [humans] can all agree upon. I don't think I've ever met anyone who doesn't enjoy music on some level. 

8,   It's cliché, but it's a good question to end with:  What's next for you? 
A resurgence of gigs, I hope. I miss connecting with people. In the meantime, I do plan to release a single or two or three. . .maybe a video to accompany them. No dates yet but new stuffs ARE indeed coming. I'll keep adjusting to our new normal as well supporting my mates and local small businesses around town. A friend and I have even paired together for a side project, busking around town and such. Busking is the next best step until we're able to navigate proper live gigs in the midst of this pandemic madness and social distancing.

Let me know when it's safe to pop in for a slot in your neck of the woods.

***

Dirty Metal Lefty has indeed stopped by our state on a previous tour, playing in Columbus.  I had planned to go, and ended up not being able to do so, which still makes me sad.  Here's hoping she stops by Dayton someday.  I linked to her website above, but you can also find her on Instagram, Facebook, and Twitter.  Also, you know how Bandcamp has been waiving their fee on the first Friday of every month recently?  Well, Friday July 3rd would be a good date to swing by the Dirty Metal Lefty Bandcamp page and buy some music.

Unlike in the Midwest, which is my home, the word "barbecue" is generally a noun in the South.  It's meat, cooked slowly, via smoke.  Regionally, there are plenty of unique twists.  In some places, if they use sauce, it is vinegar based.  In some places, mustard based.  Some use a white sauce.  Others would tell you that sauce only covers up inferior meat, and it shouldn't be touched.  Depending on where you are, the local specialty may be ribs... or pulled pork... or chicken.  In Texas, brisket is what they tend to do.  They're quite proud of it.  Since I was in Austin last year, and a place that some experts call "the world's best barbecued brisket" is there, I had my heart set on getting some.  Alas, for this particular place, you need to plan ahead a lot sooner than I did, so it wasn't going to happen.  That said, I wanted to get brisket somewhere... but where?

The first person I asked was Simon Tam.  No, not the medical doctor on the run trying to keep the evil government away from his sister.  I mean the bassist and founder of The Slants.  He was a presenter at the conference I was attending, and has done extensive global travel.  He is also very much into delicious food.  His answer was lightning fast and definitive:  go to Terry Black's.   The second person I asked was a local Uber driver.  People that live in the community, they are going to know where the good brisket is, right?  I explained my disappointment that a visit to my first choice wasn't able to happen, and asked for a recommendation.  Terry Black's was the first of three recommendations given.  In fact, this particular person said he liked it better than my first choice.  There was definitely a third person who got the query from me on brisket, and I don't really remember much about her, but I certainly do remember that Terry Black's was the call.  Ok, Terry Black's it would be.

My wife and I made sure we were extra hungry one day, and went off to find brisket.  When it comes to the meats here, you pay by weight.  There is an army of professional meat cutters there, gloves on, knives at the ready, slicing pieces of brisket (and other meat products) to order.  I got plenty of brisket... some burnt ends, some extra fatty, some extra lean... you know, a variety.  I got some sausage as well.  For side dishes, I opted for mac & cheese, and "Mexican" rice.  Looking back on it, this was a tactical error.  Sure, the rice was just fine (not outstanding), and the mac & cheese was tasty enough, but all the sides do is take up valuable real-estate that could be better served by brisket.  I made sure to get some of the free accompaniments... pickles and onions... you know, some acidity to cut through the fattiness of the sausage and brisket.  Here's what you want to know:  Is the brisket good?  Well....

This was the best brisket I have had in my life, and it wasn't even close.  Sauce, though it was available, was not at all required.  The meat was replete with flavor from whatever these folks used for their dry rub, and from hours being exposed to smoke.  It was moist... even the "lean" pieces were juicy.  It was melt-in-your-mouth incredible.  The sausage was good too, much fattier than I expected, but in all the right tongue-coating ways.  My wife and I didn't get remotely close to finishing our food, so we packed it up, went back to the hotel, put it in the room's refrigerator, and finished it for breakfast the next day.  Get this... Terry Black's brisket was great even served cold first thing in the morning.  Trust me, you want this.

If perchance I make it back to Austin this year (not a guarantee, what with COVID-19 and all), I intend to go to Franklin's... but Terry Black's was great, and I wish to re-live this experience, so I'll head back there as well.  You can't have too much brisket, can you?

Straight talk, a few days before this conference, I really didn't want to go.  I was tired.  Mentally and emotionally tired.  However, I already made the plans, and had already taken vacation days from my corporate job, so yeah, I went.

This year's DIY Musician Conference sponsored by CD Baby was held in Austin, Texas.  The dates were 16 to 18 August.  This was my third conference, and by far the hottest... because it is crazy hot in Texas in August.  

I won't go on a lengthy description of the delicious brisket I had there, as that's another blog post.  I won't talk about the migas breakfast tacos, either.  I had a very interesting cultural experience watching people sing Russian karaoke, but maybe we'll save that for another blog post as well.  Let's keep this one focused on music stuff.

When I say "music stuff", I mean the work.  Writing music and lyrics is work of course, but that's enjoyable work.  Recording is work, but that's also enjoyable work.  There is a great deal of other business stuff that has to be done when you're an independent artist though... these are the things I was there to learn, and these are the things that make a very long to-do list for me going forward.

A nice benefit of this conference is being surrounded by a bunch of other musicians from all over the world.  Many genres.  Many languages.  Different points in their careers.  Making those personal connections is something that helps me get through the weekend without being wilted by social anxiety (as opposed to just being wilted by the Texas heat).  Now, I met dozens of interesting people over the weekend, and had many interesting conversations... but let me tell you about two specific people whose company I enjoyed.

First, Jessica.  She sat next to me during the first session on Friday morning.  That first day is tough, especially if you're like me and you don't like crowds.  In this case, my neighbor was even more anxious than me possibly, as this was her first conference.  It turns out that Jessica is a pianist from Los Angeles.  I would describe her as very much like a shorter version of Fiona Apple... well, that was until I looked up Fiona Apple's height, and they're probably about the same stature-wise.  At any rate, think piano-based pop music with interesting lyrics, and a beautiful voice.  Jessica performs as Bellorage.  You can listen to her music here. 

We were treated to a Bellorage performance at the post-show music shindig.  It was great. That part at 3:19 of "Terribly Lovely" gave me goosebumps when I saw it live.

Ok, so a second story about a person.  At the conference, they have these tables set up to help all of us anxious musicians to break the ice and start conversations.  There is a line of tables that each has a sign based on a region... Austin, New York, Midwest, South, West, Europe, Canada, etc.  There is another line of tables broken up by music genre... hip hop, country, edm, pop, rock, etc.  So, I head to the rock table.  When I mention that I am from Dayton, Ohio, someone points to this other fella and says "he's from Dayton as well"... the other fella had "Austin" on his badge, so I was skeptical.  Turns out he is from Dayton, but moved to Austin for his music career a couple of year ago.  Since we're from the same area, I figured I'd tell him specifically that I grew up in Xenia.  He says "dude, I'm from Yellow Springs".  Yes, we're both from the same county, and don't meet until a music conference in Austin.

His name is Brandon, and he's in Westerly Station.  What's more, he and his wife happened to be in Ohio last week, where they went on WYSO to talk about their music with Juliet on Wednesday night, then they stopped by Reel Love Recording Company on Thursday to do some tracking with me.  You'll be hearing some sweet mandolin that Brandon played before the end of the fall. 

In summary, an enjoyable conference, despite the work.  I hope to attend again next year.