You ever listen to an album and immediately love it?  That's not something that happens all that often with me, I usually take a few listens to warm up to something.  Brevity is an exception.  I loved this one right away... the lyrics, the melodies, the nineties rock sound that reminded me of my youth.  Brevity is still in regular rotation for me, and that has been the case ever since it showed up in April.  The people responsible for this album are Punch The Sun, from New York.  The person responsible for writing the songs is fellow bass player and lead singer Shannon Söderlund, shown at the bottom right of this photo:

Shannon has songs.  So many songs.  Good ones.  Great ones.  She keeps making more.  Remember that songwriting challenge that I previously wrote about where you write five songs in five days?  Shannon is part of this same group of songwriters with me, and the songs that she writes for these are so good that I generally question what in the world I am doing.  

Ok, you've heard enough from me.  Let's amplify Shannon's voice.

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1.  Let's hear the elevator pitch for your skill set and genre. 

My elevator pitch, eh? I grew up singing and playing in a family band, so music has always been - quite literally - my life. After us kids grew up and the family outfit wasn't playing as often, I tried out a bunch of different musical areas (Wind Ensemble, Jazz vocals) until I found my home among what I listened to in high school: Alt Rock. 

2.  You joined Wheatus for a European tour.  (For my readers who don't know that band, they are a New York rock band who had a hit single in 2000 that was on radio and in movies.)  How'd you get that gig?  Can you talk about your experience touring Europe and playing music? 

As happens so often in this industry, it was mostly a circumstantial thing. About 2 years ago, I shared a bill with an artist (Gabrielle Sterbenz) who was in need of a singing bassist. And she saw me playing bass and singing in my own band, right after her set! So we got together and I played with her band several times in the following months. Then last year, she needed someone to head out on tour with her, as she was supporting Wheatus. Obviously, I said yes. 

Touring Europe and Great Britain was really fantastic. I basically grew up touring with my family, so even though I hadn't done it in years it felt very much like hopping back on a bike, y'know? I love all the parts of a touring production: moving equipment, setting up, soundcheck, finding food in a new city, the show, sleeping in an unfamiliar place (though we had the bus to go back to, which was lovely), meeting new people every day, traveling with the same dozen people for weeks on end. It's one of my favorite things in the world. And I feel so blessed and honored that I got to do it with a truly special group of people. 

3.  What was the first album you can remember buying with your own money? 

Hmmm... either Norah Jones' Come Away With Me or Fiona Apple's Extraordinary Machine. I might've gotten them together? I listened to a LOT of my brother and sister's music in high school until they left to go to college and I had to fill my own silences. Those two albums, along with Hot Hot Heat's Elevator, where basically the soundtrack to my senior year in high school. 

4.  Tell me about the last concert you saw. 

If I'm honest I don't even remember the artist's name; it was a show my friends were excited about, so I tagged along. The music was fantastic - kind of experimental prog-jazz - and I remember there was a female bassist, whose left hand I was staring at literally all night. 

5.  What artists do you consider to be your biggest influences? 

Fiona Apple is a big one. Cake is another. Weezer, definitely. Most of all though, it probably was my parents and the Christian Rock we played (oh yes, it was a missionary family band). I definitely see that 90s-worship-music as defining a lot of the music I write. I think music is about connection and relationships. And in my mind, songs should be catchy and sing-along-able, which is almost certainly a holdover from worship music. I definitely sing more about existential dread these days instead of Jesus, but hey. 

6. At the moment, COVID-19 has you stuck in Liverpool.  I imagine there are worse places to be socially distant.  How are you managing being that far away from home for so long?  [Note from Mike:  This interview was done in May, Shannon is back on this side of the Atlantic now.]

In a weird way, Liverpool feels very much like home. I'm here with someone I love dearly and consider family. I think it would be much, much harder if that were not the case. But there's plenty about this town that feels familiar - all the flora here is like, exactly what my mom has in her garden in the PNW (that's Pacific Northwest, for those of you who are unfamiliar). And videochatting, both over Marco Polo (hi, Shiree and Danielle!) and in realtime has been life-saving. Being able to stay connected with friends and family has been huge. 

7, If you could change anything about the music industry, what would it be? 

This... I have complicated feelings about this. Many of the problems I have with this industry have to do with money, and the people on top who want too much of it. It's much the way I feel about our society. 

That being said, I think there are a lot of things that musicians (especially ones starting out) complain about that come from a basic misunderstanding of how businesses operate. Money is obviously a necessity for society to function and businesses to run. And there are a lot of ways in which the industry is surprisingly functional, especially when it comes to touring and live gigs. It's hard, but I understand why it's hard. And this has ALWAYS been a hard industry. So... *shrugs shoulders* 

8,  Brevity probably didn't get the big marketing push that it deserved, due to the pandemic.  Assuming the situation improves, will you all re-visit promotion for that album and perhaps tour?  Also, what's next for Punch the Sun and for you personally? 

I definitely want to tour on Brevity! Once the pandemic is over, that's a route (#tourpun) that we will certainly pursue. I can see us perhaps making some music videos down the road (omigosh ANOTHER #tourpun) to highlight some songs on the album. Ultimately, though, I'm really glad it's out in the world for people to listen to and think, "wow, that's what Punch The Sun sounds like!" 

Next up, though, is more music - of course. I'm already working with Campbell (our drummer) on some new songs. We're just in the demo stage, since we're on opposite sides of the Atlantic, but we're deep in the writing process again, which feels fantastic. Music forever!

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I linked to both the website for Punch The Sun and to Brevity up in the first paragraph.  You can also find Punch The Sun on Facebook, Instagram, and Twitter. 

In order to give you a peek behind the curtain at my songwriting process, I'd like to tell you about my second attempt at the 5 in 5 Song Challenge.  I have written about this challenge in a previous blog entry, so this time, I'll skip explaining the big idea and get straight to the songs.

Day 1, 14th October 2019.  Prompt was to use at least five of these ten words: creek, orange, cider, make, gather, cotton, oak, spinning, poured, without.  Amplifier bonus (which I don't recall being part of the challenge the last time I participated) was to use the chord progression Dbm, Fm, Eb7.

I'm proud of what I managed to write for this one.  I started with the chord progression, as I figured that would be the hardest part.  It was.  If you're not a musician, let me tell you that those three chords are kind of creepy and ominous sounding when used in sequence.  I structured my verses for the song around them, and managed to use all ten (!) of the words, which I believe is a first for me.  Here's the thing... using those specific words, but making it seem natural and not forced... that was tough.  All told, there is one part here that I will re-write.  I didn't like the melody I used in the bridge, so will go back to work on that.  Other than that, I think the rest of the song will stay as-is, and I'll be adding it to my live repertoire next month.  

Day 2, 15th October 2019.  Prompt was to use the following idea as a starting point:  It has to come to an end, before it can begin.  What is it?  (If that sounds to you like something Seneca might have said, well, you're not the only person who thought so.)  Amplifier bonus was to use a minor 4 chord.

For this one, I did not write fresh lyrics.  Rather, I used lyrics from my collaborator, Ruth.  She had lyrics that needed music, and when I saw the prompt, I remembered these specific ones, as I thought they fit.  Lyrics in hand, I wrote the music, which I found to be rather easy this time.  I mostly write in minor keys, and if you write in a minor key, your 4 chord is automatically minor.  Easy as pie.  From reading some of the comments in the group, I might be the only person who understood the amplifier this way, as a few folks asked for clarification, and the clarification was to take a major 4 chord and change it to minor... but that's not what the prompt said.  Maybe the default assumption is that people only write in major keys?  

Day 3, 16th October 2019.  Prompt was to use "Harvest Moon" as a song title.  Ick.  Amplifier bonus is to write in a key you're not comfortable in.  

Well, I'm not really comfortable in any key that requires me to use more than just the white keys on a piano.  I'm not a competent pianist by any means, so I feel all warm and fuzzy writing in A minor.  For this one, I wrote the song on bass instead of piano... and I wrote the verses in G minor, but the chorus in B flat major.  I leaned toward snarky and humorous for the lyrical content.  I think this song is the best one I wrote all week, and I plan to record it next year and get it ready to release in time for fall.  I'll be playing it in public starting next month.

Day 4, 17th October 2019.  Prompt was to use at least five of ten given words.  Now, I don't have the complete word list (oops), but here are the ones that I used: older, settle, calling, pocket, strong, resist.   That's six.   Amplifier bonus was to use this chord progression: F, G, Cmaj7, Am.

That chord progression basically told me to write the song in A minor, which as I mentioned above, is my warm & fuzzy key.  Ok.  I wasn't too thrilled with the list of words, but no matter, I got to work.  I used the fantastic closer from the album The Blinding White Of Nothing At All, "All You Really Want Is Love", as inspiration.  The main songwriter, John Davis, is a strong influence on my songwriting.  Now, the song in question (please listen to it) sounds like it was written in a major key, and I wasn't about to do that, but I did write the B part of the song to have a slight major key feel.  I wrote it in second person.  I also followed a similar structure. A B A B outro.  

I wanted to write a song that I love as much as I love most everything on that record, and I fell short of that goal.  However, I like what I came up with enough to add it to my live setlist starting next month.  It needs some light editing, but there is potential here.  I also feel that this is a good song for We Met In Paris, so I sent it over to Ruth.

Day 5, 18th October 2019.  Prompt was to use the following idea as a starting point:  she is strong as an old fallen tree, but hollow inside.  Amplifier bonus was to change key during the song.

This time, let's start with my overall goal.  I wanted to write a Guided By Voices style song.  I did that just a little bit on one of the songs from the last time I did this challenge, and after editing, it ended up being called "Huns of Doubt", and you will be able to get your hands on it soon.  This time though, I didn't want to use any non-sequitur chords or a crazy time signature.

Beyond GBV, I think of the Wright Brothers and aviation when I think of Dayton.  Transportation terms popped into my head.  I thought about calling it "Propeller", but that's the name of an early GBV album, so no, can't do that.  I thought about the airplane imagery in some of their songs and album artwork... then I decided to call the song "Submarine".  Boats are called "she" by sailors, right?  Submarines are strong, and hollow inside.  Ok, title achieved.  For the lyrics, I used terminology related to submarines as a metaphor for a break up.

Musically, well, doing a key change is not new to me.  For Prompt 2 during this challenge, I wrote the verses in minor and the chorus in major.  If you remember "Harvest Moon", I used relative minor/major keys.  For this one though, I did something I've never done before... I just moved the entire thing a whole step up.  I tried to be clever doing this... I have some harmony vocals in it, and one of the harmony vocal lines, I keep it droning on the same note, before AND after the key change.  I think there is some potential here, and I might go to the studio with it next year sometime.

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Summary.  Five days, five songs.  Three songs added to my live rotation, just as soon as I learn them well enough to play them from memory.  All of the songs will need to undergo a little bit of editing, but I don't foresee a major re-write on any of them.  I felt more comfortable doing this challenge than the previous one.  It would seem that all of the songwriting work I have been doing is paying off... I'm getting better at my craft.  That said, there is always always always room for improvement, and I'll probably jump on future challenges like this in an effort to do just that.

If you would like to hear these songs, I encourage you to sign up for my mailing list on the homepage of this website.  At some point, I'll be sending them as gifts to the folks who are subscribed.

I saw Chelsey Coy from Single Girl/Married Girl mention something about a songwriting challenge.  It seemed interesting, so I went after more information. It seemed even more interesting, so I joined.  Today, I get to tell you about the 5 in 5 Song Challenge. 

This challenge is sponsored by Song Fancy, a website run by Nashville based singer/songwriter Sarah Spencer.  The website itself is designed to reach out to other songwriters, to help them when the obstacle of writer’s block rears its ugly head.  The site says it is specifically for the “contemporary lady songwriter”, but there are no barriers to entry for this challenge. Plenty of male songwriters joined.  Prior to this challenge, I had never stumbled across this website, so I can’t comment on the sense of community there, nor can I comment on the effectiveness of the songwriting tips shared.  I will say however, that I think this is a fantastic idea, and very altruistic of Sarah Spencer to share ideas that have helped her to be a better songwriter with others. 

What exactly is this challenge?  Well, it consists of five days… and it consists of five songs.  Those of us who signed up for the challenge are expected to write one song each day for five days.  That seems daunting, doesn’t it? If you aren’t feeling particularly inspired, it can be hard to write one song in two weeks, let alone a song each day for a business week.  The task is a little less scary than you might think, because each day comes with a song prompt. 

For Monday 11 March, also known as Day 1, we were given a list of ten words.  We had to use five of them in a song. For Tuesday 12 March, which was Day 2, we were given a phrase to use as a jumping-off point for the song.  For Wednesday 13th March, something that we call Day 3, the prompt was phrased as a dare… a dare to complete an unspecified action… but the song had to be written from a specific point of view. On Thursday 14th March, which as you might have figured out by now, was Day 4, we were given another list of ten words... but they were ten different words than Monday's list.  Finally, on Friday 15th March, which you surely realize was Day 5, we were given a specific two-word phrase to use as a song title.

Speaking personally as a songwriter, on the occasions I feel blocked, it is because I don’t have a place to start.  Maybe I’m not particularly moved by anything in the moment… no recent life tragedies, no recent life victories, and a general feeling of "meh". Some days I might have something to say, but can’t exactly find the motivation to write.  I found that this challenge solved both of those issues for me. Each day, here’s a new topic… something specific. Where to go with that topic, well, that’s in the hands of each songwriter. If you give 50 songwriters each a list of ten words and tell them to go write a song using five words from that list… well, you’ll get an incredible variety of styles and feeling.  The same can be said of the other prompts. In addition to the topic, having the expectation up front that YOU MUST COMPLETE THE SONG TODAY really helped me to get the songs finished. Nothing like a deadline to inspire urgency… 

Looking back at the challenge, I can’t say the songs I created were my best work.  (This means that you probably won't be hearing them, even if you ask nicely.  Ok, maybe one of them might see the light of day eventually, but not in its original form.)  Normally for me, I write and re-write and re-write a song before I bother recording a home demo of it.  Only the strong survive long enough to get recorded. When you are tasked with writing and recording a song each day, the ability to self-edit like that goes away.  That being the case, I didn’t come up with anything that I would consider “polished”... but there are some tiny moments in each of the songs I wrote that I think I will excise and use again somewhere else.  I think that having these songs be so raw and unpolished is part of the point of the challenge. The daily deadline forced me to step away from my natural tendency to immediately judge my own art, and to simply create. 

In order to keep us all accountable, this challenge came with a private Facebook group.  This is where we received the song prompts. This is where we shared our songs with the other writers.  This is where we gave feedback. This is where we got feedback. This is a good idea, but it is only as useful as the community involved can make it.  For the first couple of days, I tried to listen to every song that was posted to the community. On the first day, I think I left feedback on three of them.  On the second day, I left feedback on two of them. As the challenge moves on, trying to keep up with the submissions became overwhelming for me… especially since this challenge is happening in the middle of a normal work week in my daily life, and, oh yeah, I have to step back and CREATE something each day as well.  The challenge serves the two-fold purpose of (1) pushing us to write even when we might not be comfortable doing so that day, and (2) also getting us feedback from our peers. In my experience, the challenge was successful on point one, and not successful on point two. Even though it is art and a creative endeavor, a songwriter should treat it like a job and set aside specific time to work on the craft... this challenge forced me to do that.  As for point two...  the song I submitted for Day 2 didn’t get listened to even one time.  All of the others were listened to at least once, but feedback was minimal.  (Again, that's my experience.  Some of the writers in the group got plenty of feedback.  This may be related to genre.)

My final verdict… if you are a songwriter and you struggle with what to say or how to say it or where to start or how to get something finished… go visit the Song Fancy website and sign up for this challenge the next time it is offered.  It is a great mental exercise. It will enable you to stretch out your songwriting skills in a way you might not have considered before. Most importantly, even if you don’t come out of the challenge with anything you feel like keeping or sharing, I truly think this sort of thing makes us better at our craft.