I found this to be an interesting year for music.  A few artists I listened to in my youth back in the 1990s put out new music this year.  This includes Candlebox, Matthew Sweet, Teenage Fanclub, Garbage, Sleater-Kinney, Liz Phair, Toad The Wet Sprocket, and Quicksand.  None of these made my top ten for the year. Another band from back then from Canada called Big Wreck put out an EP this year, and I really like it... their singer Ian Thornley is about the closest voice I have ever heard to Chris Cornell (my favorite singer), and the songs on it are good.  It looks like this:

A few artists from my music community here in Dayton also put out new music... Looking at YOU: Age Nowhere, Paige Beller, Sadbox, The New Old Fashioned, and TINO.  (I encourage you to click on those links in the last sentence and check out some good stuff from Dayton, Ohio.) Guided By Voices also put out two albums in 2021, because of course they did. 

Another Ohio band who I have expressed my appreciation for in the past, Snarls, also has a new release this year.  They went to Seattle to record the EP What About Flowers? with Chris Walla (who you might know from Death Cab For Cutie), which is a pretty cool thing for a Columbus band to do. 

Elbow is one of my favorite artists, and they put out an album this year.  It's not among my favorites in their catalog, but maybe it'll surge after a few more listens.  My favorite song on it is "What am I Without You".  If you often read about music, you'll surely see the latest Japanese Breakfast album turn up on a few best-of-the-year lists.  I really dug the song "Posing For Cars" from that one.  Some other folks I know also put out fine work this year... Chelsey Coy's project Single Girl, Married Girl , Lauren Light, Baby Molly, and Greg Owens & the Whiskey Weather have new albums that deserve your attention.

Here's a blurb that I wrote for an album that I liked, but as it turns out, it's not in my top ten, and goes into the "honorable mention" category.  The cover art is awesome. Consider this a bonus blurb:

BEAMS - Ego Death 

I had never heard of this band until I started putting together my favorite albums of the year.  I checked in with Juliet Fromholt, music director over at WYSO, to see what she was considering for her end-of-the-year list, knowing that there were certainly things that I had missed.  Juliet sent me all kinds of stuff that she enjoyed, and while I certainly should have heard things from all of these artists on her shows, I don't get the chance to listen to ALL of the shows each week.  Beams was on Juliet's list.  I do my due diligence, working through the artists, and when I got to Ego Death... well, it stopped me in my tracks.  Give me all of that distorted guitar and songcraft and vocal harmonies please, thank you. 

A little Internet research tells me that this band is from Toronto, and that Ego Death is their third full-length album.  Apparently they were leaning in a more folk-sounding direction before, which is fine, but that's not what I hear on this album.  Whatever prompted their evolution into bigger sounds, well, I'm cool with it.  I might get around to heading back into their catalog to listen to their past work, but for now, I'm going to listen to this one a few dozen more times.  I dig it. 

• Favorite songs: "Born to Win", "Break Glass", "A Flower Blossomed"

 

 

All of the above said, here is my top ten, which, other than the first one, are in no particular order:

FAILURE - Wild Type Droid

I'm sure glad Failure are back, and they keep making excellent music.  This one is a little different than their last few efforts.  Think back to Fantastic Planet and The Heart Is A Monster... those are both long albums that sort of meander through a story, complete with instrumental segues to tie pieces together.  Next, they put out In The Future You Body Will Be the Furthest Thing From Your Mind, which was the result of collating four EPs into one album.  All of those are excellent work, by the way, and Fantastic Planet is especially a masterpiece. Failure has noticed that fewer and fewer people care enough about music to listen to an album all the way through, so they've adjusted their art to match.

This new one is only 10 songs.  It's still atmospheric and spacy. The songs that are supposed to sound big still sound big.  The songs that are supposed to be stripped down and more delicate are still stripped down and delicate.  Unlike their previous work, however, you probably don't lose anything from the listening experience if you listen to this one out of order, or put a song on a playlist.  You aren't losing any of the flow or context by doing that this time around.  Failure is still making music that sounds like Failure, but they seem to be tossing an olive branch to modern listening habits.

This is my favorite album of 2021.

• Favorite songs: "Submarines", "Bad Translation", "Half Moon"

 

ERIC BIBB - Dear America

People who know me are going to be surprised to see a blues album on this list.  There is more here than just twelve bar I-IV-V progressions and various solos. There is plenty of folk and americana sounds here as well.  What stands out to me the most here though, is that Eric Bibb clearly has something he still needs to say.  The Internet tells me that this is his 23rd studio solo album, so maybe it's a little amazing that he is still moved enough to keep making art.

Listen to his lyrics.  Eric doesn't live in the United States anymore, but he used to... and of course, we all live in the same world, and see the same appalling things.  Those of us who write songs use the craft to work our way through the feelings that life thrusts upon us, and that is what it seems Eric is doing on this album.  The album title and picture on the cover suggest that this collection of songs is intended as a letter to the United States... a letter complete with solos... a letter with frank declarations like: "what a way for a boy like me to have to die", in a song about Emmett Till.

• Favorite songs: "Born Of A Woman", "Emmett's Ghost", "White & Black"

 

 

ADIA VICTORIA - A Southern Gothic 

The "South" is not my home. I don't feel safe there. I really don't even like visiting. It is Adia Victoria's home, since she is from South Carolina. You can hear the love for her home in these songs. The love is there despite the region's traditional lack of inclusion of voices like hers.  She says this in Rolling Stone:  "I wanted to include myself in the history of the South. I wanted to make this young Black girl's narrative just as emblematic of a Southern experience as Faulkner could write."

Despite the love that Adia clearly shows here, there is also plenty of anger to go around, and the angry parts of the album are the ones that I think I relate to the best.  My favorite example of that here is on "Deep Water Blues". 

Sounds of blues, gospel, and country all collide on this album. If you happen to enjoy listening to any of these genres, well, this album is definitely for you.

• Favorite songs: "You Was Born To Die", "Whole World Knows", "Deep Water Blues"

 

 

 

THE MARS VOLTA - Landscape Tantrums (Unfinished Original Recordings of De-Loused in the Comatorium)

Ok, The Mars Volta released De-Loused in the Comatorium in 2003, and I happen to love that album.  These gentlemen from El Paso reached into the past, grabbed the early progress on those songs, and released them this year.  This album is probably more enjoyable if you are already familiar with the songs in their finished form... however, I think that even if I didn't know what these songs would eventually end up becoming, I would still be blown away.  Sometimes the sounds are frantic, sometimes delicate, there is plenty of playing around with rhythmic elements that aren't necessarily typical in rock music, and the mix is very different than what we got in 2003, so the songs all kind of shine in different ways.

In addition to these mixes being simpler and minimally produced for them (if you can believe it), the track order is different here, and the songs "Tira Me A Las Arañas" and "Cicatriz ESP" are missing.  That's ok, there is enough here to ponder.  Especially if you enjoy this band's work, listen on headphones, close your eyes, and dig in.

• Favorite songs: "Inertiatic ESP", "Eriatarka", "This Apparatus Must Be Unearthed", "Televators"

 

 

 

JACKIE VENSON - Love Transcends

Jackie is an incendiary guitarist from Austin, Texas. Her music usually blends a few different styles, but with Love Transcends, she heads in a more traditional blues direction.  For her, this is keeping it simple. She says this about the album on her Bandcamp page: "Written across a decade, recorded in a pandemic, played in a style a century old."

In addition to her own songs, there's a mash-up of a Sister Rosetta Tharpe song and an old Negro spiritual. She plays her heart out when she is performing live, and you get some of that live feeling on this album. Her rhythm section is outstanding, and the little keyboard licks here and there add nice flavor and texture.  You'll want to turn this one up.

• Favorite songs: "Always Free", "Cover My  Eyes", "Love Transcends"

 

 

 

RHIANNON GIDDENS WITH FRANCESCO TURRISI - They're Calling Me Home

It's folk music gone international.  An American and an Italian living in the United Kingdom, and the music they make on this album shows influences from all three of those places. Strings are here, plucked and strummed and bowed, and they are the backdrop to strong vocals and beautiful harmonies. I don't think I've ever heard anything quite like this, even on the old traditional songs they cover here, and that's probably why it holds my attention.

• Favorite songs: "Avalon", "Si Dolce è'l Tormento", "O Death"

 

 

 

 

VALERIE JUNE - The Moon And Stars: Prescriptions For Dreamers

Many thanks to Greg Owens for telling me to go listen to this album.  I love it.  It's soulful, subtly groovy, elegant, relaxing, moving, and beautiful. I kind of feel bad for not having a few more paragraphs of things to say about it. Go listen. Really.

• Favorite songs: "Colors", "Call Me a Fool", "Smile"

 

 

 

 

YOLA - Stand For Myself

Yola is scheduled to stop by Cincinnati on her 2022 tour, and I currently have tickets.  I very much hope this show still happens.  Yola is English, but when she sings, she doesn't SOUND English.  No, you're getting a very soulful sound out of Yola, and one could conceivably put her music in to the "americana" genre, which is curious, because you know, she is English.

The songs sound classic, as if they could have been released in the sixties or seventies, as if they could have been recorded in Memphis or Detroit. Apart from the music, the subject matter of some of the songs also sounds like it could have been written in the sixties or seventies, which speaks to how little things have changed for Black folks in the grand scheme of things.

• Favorite songs: "Barely Alive", "Diamond Studded Shoes", "Starlight", 

 

 

 

 

LUNG - Come Clean Right Now

Chances are good that you haven't seen anything like Cincinnati's Lung.  Live, it's Kate on cello and Daisy on drums.  That description doesn't do the live sound justice, as the cello is played through an array of pedals and effects, and it's delightfully noisy in addition to being musical. Their shows are loud and punky and energetic and passionate and basically rock.

This here is their latest full-length.  Come Clean Right Now was released in August. It rocks. Taking this great music to the studio allows Lung to layer the cello and the vocals, giving the listener a lush experience together with the nodding along. 

• Favorite songs: "I'm Nervous", "Tick Tock", "Morning", "Arrow"

 

 

 

JERRY CANTRELL - Brighten

You might recognize Jerry Cantrell from such rock bands as Alice In Chains. He's been at the music thing for a very long time, and in addition to being the main songwriter for Alice In Chains, he's got a few solo albums out as well.  If you are familiar with his sound, well, you'll probably think Brighten sounds familiar, as it sounds very much like a Jerry Cantrell album.

That said, I like this one better than his other solo work.  Maybe I should go re-listen to the rest of his catalogue to see if I've missed some details, but the songs here just seem especially well-crafted and nuanced... even when they are simple.

• Favorite songs: "Black Hearts and Evil Done", "Nobody Breaks You", "Dismembered"

I enjoyed getting to learn more about some talented folks this year via these written interviews.  I hope you enjoyed them as well, and I hope you found some new music to enjoy.  Below the picture is a review of the people we met this year.

 

with Baby Molly in Austin before the pandemic

 

Riley Hall - Bass player and singer in Snarls, a band from Columbus that you really should check out.

Jenee Halstead - Artist, singer-songwriter. She released an album called Disposable Love this year.

Baby Molly - Songwriter who recently moved from Toronto to Vancouver. You'll be hearing more from him soon.  

Chris Keats - Artist name is stylized as KEATS.  He released an EP this year called When the Sails Collapse, As Live.

Elyssa Vulpes - Italian songwriter who has moved to New Zealand since we did our interview.

Emmrose - Songwriter and artist from New York City.

Kyleen Downes - A music professional from right here in the Dayton area.

 

If you missed any of these interviews, or would like to re-familiarize yourself with any of these fine people, feel free to visit the links.  Listen to their music, connect with them on social media, and if you find any of the songs particularly moving, maybe tell a friend?

 

You might remember that Burst, the debut album from Columbus, Ohio's Snarls, was one of my favorite albums of 2020.  Let me give you just a little background on how I discovered this band.

Snarls opened for Sleater-Kinney in fall 2019 at Newport Music Hall on High Street.  Since the Southgate House down in Kentucky is no more, the Newport is my favorite concert venue.  It's exactly the kind of place that I would love to play, and I've seen plenty of outstanding shows there.  Sadly, there are plenty of people that don't pay attention to the opening act at rock shows, or don't even bother to arrive early enough to see them.  That's not me, I'll gladly take all of the rock you'll give me at a concert, thank you very much.  Snarls did not disappoint.  They did seem a little nervous, but I think playing a legendary venue in one's hometown for the first time is a reasonable thing to get nervous about.  The songs were good, the performance was good, and everyone in the band looked like they were enjoying themselves.

After the show, Misty and I headed to talk to the band and buy an album, but they didn't have one out yet.  We got to meet three of the four band members.  (We met everyone but Max, and I'd like to assure everyone that we are not biased against drummers.)  So, I've been going to shows at this venue since before some of these kids were born.  Misty and I are totally old enough to be their parents.  Suffice it to say that we are neither cool nor interesting, so Chlo & Mick & Riley (alphabetically) didn't have any reason to be nice to us, but they were.  Yeah, I'm not cool, but I am a musician, and they put up with me asking a couple of nerdy musician-type questions.  They're lovely individuals... so consider it a bonus that they also made a solid record.

Usually, when bands do press, the lead singer and/or lead guitarist end up doing most of the interviews.  For Snarls, that's Chlo and Mick.  They are the most visible part of the band, while the rhythm section labors in relative obscurity to drive the bus.  I mean no slight to the guitar players in this band (Mick actually did the artwork for my singles "Anecdote" and "Promise"), but I like to show special love to bass players.

After the picture, I amplify the voice of Riley Hall, who plays bass and sings in Snarls.

 

1.  Let's hear the elevator pitch for your skill set and genre. 

I don’t know if I have any technical musical skills but I guess my skills include creating music that is true to my heart. That happens to be alternative emo rock.

 

2.  When did you start playing music?  Why did you decide to play bass?  Do you play any other instruments? 

So the first time I picked up an acoustic guitar was when I was 10 years old and taught myself through grade school more as a hobby. I learned through YouTube tutorials of Taylor Swift songs (haha a simpler time). I picked up bass for a class in high school called band lab. The students formed bands and wrote songs the whole year. The band I was in was actually with Chlo and a different classmate from then named Austin. That was me and Chlo’s first live band experience and it was kind of spur of the moment that I decided to play bass. It’s funny actually I had never even touched a bass before but it came quite naturally since I had played guitar for about 6 years already. There was a time where I took piano lessons but that was only for about a year when I was 16 and I haven't practiced since.

 

3.  What was the first album you can remember buying with your own money? 

I’m not sure if this is considered my own money, but I did buy Taylor Swift’s album Fearless on iTunes with a Christmas gift card when I was like 11.

 

4.  Tell me about the last concert you saw. 

I went and saw CAAMP with my mom at legend valley back in October. It was a drive in concert so it was nice to have the luxury of live music while also being COVID conscious. A little breath of fresh air in this day and age.

 

5.  What artists do you consider to be your biggest influences?  A brief follow-up, making this a 2 for 1:  Which bass players do you consider to be influences? 

I love this question. There’s so many artists that I have admired over the years but there is a handful that stick out. John Mayer for one. I was 14 when I started diving into his music and really becoming inspired by him to expand my guitar skills. This is when I started learning his cool plucking and strumming technique like in “Stop This Train” and his cover of Tom Petty’s “Free Falling”. I definitely immersed myself in my acoustic guitar and as I learned more I started to recognize and acknowledge my growth as a musician for the first time. It really started to click in my head that maybe I should be chasing my dreams, or rather that they weren't just “dreams”. I can’t say that I have ever payed attention to bass players specifically since I didn’t start playing until I was 16. Even still I have never viewed music like that. Looking for the best guitarist, drummer, bassist etc. I look for music that makes me feel. Music that reminds me that other people feel too.

 

6.  The pandemic did not treat you all kindly.  You had a tour cancelled right out from under you, and while I know you would have loved to go on the road because you love to play, it's also work, so that cost you financially as well.  How are you personally dealing with this lengthy disruption? 

Obviously it was very upsetting to first hear that all of our tours were cancelled but I never took it very personally just because I realized that it was all out of our control. I will say that I personally am very blessed, especially during lockdown, because I don’t pay rent (thanks mom!) and have very little monthly expenses. Given that, it has been really easy for me to just take everything day by day. There hasn't been any doubt thanks to all of our sweet fans that have been showing us so much love and support from the start of this whole mess. Also the Spotify recap thing was really comforting to see for Snarls and a really great reminder that we still have listeners from all around the world that are dying to see us play.

 

7. My favorite song on your band's album is "Burst", because, well, I'm also a bass player, and that should be obvious.  A sneaky second is "Concrete", I enjoy your work in that one.  What's your favorite song to play live and why? 

Thank you! “Concrete” was one of the first more intricate bass lines that I wrote so I appreciate that coming from a fellow player! I think my favorite song to play live is “Walk in the Woods” just because of how energetic we can get with it. My favorite thing about playing live shows is seeing everyone dance and let loose while they listen to us and that's very easy to do with that song.

 

8.  How do you intend to keep growing as a musician and writer?

I guess I just want to make sure that I continue to be as genuine to my emotions as possible. My biggest fear as a writer is making something just to stay relevant or to make money so pushing myself to make my music mean something in turn inspires me to discover everything that I possibly can about my own experience and emotions. I want to make sure what I express is real and not fabricated solely for the pleasure of others.

 

***

I strongly recommend the Snarls performance in Chicago at Audiotree.  This is it:

 

You can find Snarls all over the Internet, and listen to their debut album over on their Bandcamp page.  (Bandcamp Friday will resume in February, so if you are thinking of buying some Snarls merch, that would be a wonderful day to do so.)

Snarls is on Twitter, Facebook, and Instagram.

You can connect with Riley on Twitter or Instagram.

 

 

I released an album in 2020, and of course, have listened to it way more than anyone else has.  That's kind of how it works for songwriters, you spend so much time listening and critiquing your own art.  I feel obligated to mention that release, because I'd really like you to listen to it if you haven't done so yet.

Curious about some of the other things I listened to in 2020?  Be assured, I spent time with music that wasn't actually my own music, and there was certainly no shortage of albums released.  Did you know that Pearl Jam put out an album this year?  It's true.  Guided By Voices put out three albums this year, because of course they did.  Some artists who released albums I enjoyed this year are Lesley Barth (Big Time Baby), Lydia Loveless (Daughter), Nick Kizirnis (The Distance), and Local H (Lifers).  However, here are my favorites, in no particular order, except for perhaps this first one:

 

HUM - Inlet

HUM dropped this on the world as a complete surprise.  In unison, music blogs everywhere reviewed Inlet with collective awe and near-universal approval.  If you’re a music fan who reads about music, and younger than my generation, I’m sure you didn’t understand it.  "Why are there suddenly all of these articles about a band I’ve never heard of"?  That’s what you surely asked yourself. 

HUM hail from Champaign, Illinois, and had a moderate hit song on their third album in the 90s.  From the first time I heard that song, I knew this was exactly the kind of band I would love to play in and the kind of band I would love to see.  Riff-tastic.  Layered.  Like shoegaze, but with more driving drums, very subtle harmonies, and some separation in the guitars.  A little bit like metal, but not quite as angry or as fast.   (Let's take a moment to appreciate some things about that excellent song I linked to that would be generally be castigated today by people in the music business.... introduction of 33 seconds, complete sonic deviation from introduction to the body of the song, all of the instruments are real, the vocals are not pitch corrected, vocals not sitting right on top of the mix, almost two minutes go by before the chorus shows up, total run time is five minutes.)

HUM disappear for 22 years, then drop an album out of nowhere that sounds like they had never left.  It is glorious, and is my favorite album of the year.  The guitar tones and feel of the songs remind me of my youth, but the vocals are on occasion just a touch more prominent in the mix now than they were a couple of decades ago.  There are still lyrics about space and relationships, and there is still all sorts of rock being brought to the table.

• Favorite songs:  “Waves”, “Step Into You”, “Cloud City”

Punch The Sun - Brevity

If you read my blog, you might remember that I’ve mentioned this album before, when I posted an interview with Shannon Söderlund.  Well, here we are near the end of the year, and Brevity remains one of my favorite albums, and I have listened to it over and over and over again.  That sweet 90s rock sound will probably always be a soft spot for me, and this album has plenty of it, but also plenty of vocal harmonies and clever lyrics.  Go listen to it immediately, leave your ammunition in the junk drawer, and don’t be like Steve. 

• Favorite songs:  “Ammunition", Hey Steve”, “11 Until 2”

 

 

 

Snarls - Burst

I am pretty sure that everyone in Snarls is too young to remember anything about the 90s, but here again, the rock sound from that time period shows up on a 2020 album.  These folks are fellow Ohioans, hailing from Columbus.  They've had a good year... they've gotten plenty of press from the prestigious and coveted media outlets who we all wish were listening to our music, they signed to a record label, and they released Burst, their debut.  Sure, the pandemic nixed their touring plans, and I'm sure that caused them to lose their collective marbles, but as soon as its possible, I think they'll head out on the road in search of world domination.  I'd really love to put together a show and play with them in Dayton, but that is probably not enough profile for them.

The songs here are good.  A lyric on the album that really resonates with me goes "twenty seems further than it ought to be", which I find to be amusing because there is no way this was written from my point of view.  You'll be learning more about a specific member of this band later. (That is what they call "a tease".)  For now, let's say that this is another album that lands squarely on some of my favorite sounds... two guitar attack, vocal harmonies, hooks aplenty. 

• Favorite songs:  "Hair", "Concrete", "Burst"

 

 

 

Radkey - Green Room 

I discovered this band early in 2020, via their 2019 album No Strange Cats.  That’s an outstanding, punchy, punk-influenced bundle of rock.  I remember checking the touring schedule to see if Radkey were going to make it to Ohio, and then… well, we all know what happened in the spring, and what that did to touring bands. 

Radkey clearly got to work during the months of isolation, and dropped a new album this year.  It picked up right where their previous one left off… I mean, check out this video for the lead single: 

You’ll be nodding along to everything on this album, and the interpretation of a Bill Withers classic at the end is a nice cherry on top of a tasty rock and roll sundae. 

• Favorite Songs: “Two-Face”, “Judy”, “Stains”

 

 

TINO - Past Due 

You know, in my youth, I listened to a lot more hip hop and rap than I do now.  Don’t get me wrong, I still very much respect the art form, but as I get older, I find that this genre has stopped resonating with me.  Well, TINO is here to bring it all back. 

He grew up in Cleveland, but he calls Dayton home these days, and music in the Gem City is better off for it.  You can learn more about him in an interview he did earlier on my blog.  With TINO, you shall find high energy delivery, intelligent lyrics, and rhymes that you probably didn’t expect. There is plenty of truth spoken on this album, about the 1995 Cleveland Baseball Club (whatever happened to them at the end of the season?), and about the government. 

This gentleman takes his art seriously, and he’s got more on the way.  If you know of more hip hop like this, point me in that direction. 

• Favorite Songs: “95 Tribe”, “Gov’t”

 

 

 

The Lees of Memory - Moon Shot 

John Davis does it again.  You might remember him from previous bands, such as Superdrag, and previous blog entries, such as this one right here.  Davis grabbed Brandon Fisher and Nick Slack, and dropped this album in July. 

A funk song isn’t the sort of thing you would ever expect here, but you get one on the last song of the album. Other than that, this sounds like a natural continuation of the sounds we have gotten on this band’s first three albums.  

If you don’t listen to the lyrics, you might think this is a happy album.  It’s not, and really, given what most of us have collectively experienced this year, that’s not a surprise. The lyrics on the album express plenty of problems, but they also comment on something that many of us do to deal with it all.  My favorite lyric on the record is from “Crocodile Tears”, and it goes:  the radio might help when you feel blue / that’s what rock and roll’s supposed to do / records lift me up when I can’t move / that’s what rock and roll’s supposed to prove. 

Yep, that’s about right. 

• Favorite Songs: “Crocodile Tears” , “Free & Easy”, “Far Beyond”

 

 

 

Lianne La Havas - Lianne La Havas

I thank NPR and their Tiny Desk series for introducing me to Lianne La Havas a few years ago.  If you have a few minutes, I cannot strongly enough recommend her enthralling performance from 2015.  Here it is: 

Two of those songs are from her second album Blood, and the other one is from her debut Is Your Love Big Enough?... but that’s a good sample to show you what she is about as an artist.  Lianne writes beautiful songs, and has a strong, otherworldly beautiful voice. 

I find the song “Green Papaya” particularly interesting.  There isn’t any percussion, so the guitar gives you the rhythm.  If you’re thinking that’s the bass player’s job, well, the bass here is sparse, and serves as more of an accent that occasionally moves the feeling along, it’s not actually doing rhythm work.  (I happen to very much LOVE what the bass is bringing here.) There is a time signature change at the chorus, but without a steady percussion instrument, I keep having a hard time finding the downbeat, and that really holds my interest.   

Lianne has been covering “Weird Fishes” live with her band for years now, so it’s pretty cool to see it show up on this album, and a very interesting choice to cover.  Here’s their official video of it, and something that keeps bringing me back to this is seeing the drummer start with the exact beat from the original song, and then change it.  Lianne makes this song her own.  Also, the a capella bit gives me chills.

 

• Favorite Songs: "Green Papaya", "Paper Thin", "Sour Flower"

 

 

 

Oceanator - Things I Never Said 

Oceanator is the project name for one Elise Okusami… a band and a person from New York City.  This is the Oceanator debut album, full of fuzzy guitars for body and catchy lead licks that you might end up humming.  Right around the time of release, this album got all kinds of press from just about every corner of the world of online indie rock commentary.  (Well, at least I noticed this in the corners of that world that I happen to visit.)  I don’t think I can say anything that hasn’t been said already by a ton of writers who are more professional than me.  If you want more details, definitely go check out some reviews. 

I’ll sum up this way:  I dig this album.   

• Favorite songs: "Hide Away", "Walk With You", "The Sky Is Falling"

 

 

 

Sault - UNTITLED (Rise) 

Sault released two albums this year.  Many of their song lyrics directly reflect very relatable thoughts and feelings, and are expressed as direct observations or true-to-life quotes.  For an example, they have a lyric that goes like this: don’t shoot, guns down racist policeman, don’t shoot, I’m innocent 

That particular lyric isn’t on this album, it’s on the other one they released this year.  Both of them are certainly worthy of your attention, but this is the one that makes my list of favorites from the year. The percussion sometimes sounds like it comes from some genre of EDM, whereas other times I get a very Afro-Caribbean feel from it.  The music over the percussion is a mash-up of r & B, funk, soul, and gospel.  I don’t even know what to call it… Up tempo soul?  Disco revival?  Maybe we should eschew categorization here and just say that many of the tracks here will make you want to move. 

The bass groove on “I Just Want to Dance” is great, and I think I’ll spend some time learning that one for the fun of it.  The bass on “The Beginning & the End” is also awesome, and I might mess around with that as well. 

• Favorite songs:  “Free”, “You Know It Ain’t”, “Uncomfortable”

 

 

 

Phoebe Bridgers - Punisher

I didn't want to like this album.  It has been written about everywhere, and Bridgers has been making so many appearances that I don't know if we can refer to her as "indie" anymore.  Being ubiquitous makes you mainstream, doesn't it?  She even got nominated for a Grammy this year.  (An aside, her nomination is in the Best New Artist category, but she's not exactly a new artist.  The lesson here, as always, is that the Grammys are clueless.)  So yeah, I didn't want to like this album, and I didn't want to write about it, as I am not generally in the habit of listening to or writing about pop stars.

Here's the thing though... Punisher is every bit as good as people say it is. The pop sheen on the production is a bit much for me, but the songs are strong.  Phoebe Bridgers is brilliant, and listening to her songs makes me want to work on my craft.

• Favorite songs: "Kyoto",  "Chinese Satellite", "Moon Song"