artwork by Rob McCowan of Odd Hourz Creative

 

I don't often write happy songs.  I don't ever write songs about my wife.  The reason for both of these things is that my attempts generally turn out to be awful.  Low quality.  Banal.  My wife has come to accept that neither she nor our relationship are about to be subject matter for my art.  Surprise!  Here's a change of pace.

3rd November 2022 was our 15th wedding anniversary.  That's worth celebrating in a special way, so we're over in Mauritius not working and enjoying a vacation.  (Clearly, I'm writing this blog entry well in advance of our departure.)  I'm not great at anniversary presents.  I think the last decent one from me was a set of diamond earrings, but alas, I am no longer in the jewelry buying business.  However, I can manage to write a song as a present. That's the decision.  Misty gets a song.

I started by borrowing the chord progression from one of my favorite Radiohead songs.  Next I worked out a melodic structure, being careful to make sure the melody didn't sound anything like the song from which I took the chords.  (I challenge you to figure out which song the chords are from.)  I knew that I wanted the overall feel to be like an Elbow song.  Remember, we both love Elbow.  

 

Verse 1:

A gentle tremor wakes me, I look out the window of the train 
The golden hills of Burgundy, brighter in life than in paint 
Where white and red are pseudonyms for Meursault or Beaujolais 
This is better now that you are here

Those lyrics are about our visit to France's wine-producing region Bourgogne.  I had been there before when I was much much younger and single. Some time ago, we went as a couple.

 

Verse 2:

Market in the morning, shouting from the street in the night 
Cobblestones and Catalan, saffron threads and candlelight 
Sudden crushing sickness that I don’t have the energy to fight 
This is better because you are here

We went to Barcelona for our 5th anniversary.  I managed to get the worst food poisoning of my life on this trip.  That experience is now immortalized in song.

 

Verse 3:

A gentle tremor wakes me, I look out the window of the plane 
The takeoffs and the landings, cruising altitude, champagne 
Walking through the streets of Paris, Nouméa, Marseille 
This is better because you are here

My first version of this song did not have a third verse.  I remember discussing this with the kind gentleman who engineered the song, Rich Reuter.  He thought a third verse would be a good thing.  Also, I thought I'd get closer to feeling like an Elbow song with a third verse.  When it came time to do the vocals, Rich told me that my lyrics weren't good enough.  He was right.  I took a few minutes and re-wrote the third verse.  This is much better.  It even has a reference to an Elbow song or two, though I doubt it's enough to get me sued.  Like the rest of the song, it's one hundred percent based on reality.

 

Chorus:

Side by side never mind the where 
Up and down good and bad to share 
Having holding even when I break 
Losing you is more than I can bear                         
So don’t you disappear

 

There you have it.

 

I came to Rich with the song all structured out, and as we talked through it, there were some changes.  I knew I needed a bridge, but I wasn't sure how to go about it.  Rich wrote the instrumental bridge, and came up with the idea for the bass solo by noodling around on a guitar. I liked the notes he played, and figured that it would make more sense to have a bass solo in this song than a guitar solo.  Rich also ran with my idea of double tracking bass in the turnaround after the second chorus... we've got a nice bass harmony in there.  Due to the changes he made to the song, it's only fair that he gets an official songwriting credit.  His ability to understand the mood and feel I was going for led to excellent instrumental choices.

"For Misty" is very likely my best vocal performance thus far.  Previously, I think it was this song, or perhaps this one, but not anymore.  I'm the only vocalist here, and I'm proud of the harmonies.

Normally I would link to it here, but remember how I'm writing this blog entry in the past?  Well, this song is a surprise.  At the time of writing, Misty doesn't know that it's a thing.  Assuming I executed my plan correctly, she found out back on November 3rd, which was this past Thursday.  I encourage you, dear reader, to go listen to "For Misty" on the streaming service of your choice repeatedly and often.  If you'd like to give us an anniversary present, you can download a high quality version of the song over on my Bandcamp page for $15, or if you can wait a couple of weeks to give us that present, I'll have it up on my official website here when we get back from our trip.

 

Credits where credits are due:

Lyrics by Mike Bankhead 
Music by Mike Bankhead & Rich Reuter 

Mike Bankhead - bass, triangle, vocals 
Rich Reuter - guitar, keys 
Kyle Sweney - drums 

Engineered & Mixed by Rich Reuter at Homeway Studios in Dayton, Ohio 

Additional Engineering by Seth Canan & Chris Stewart at Trojan City Studios in Troy, Ohio 

Produced by Rich Reuter & Mike Bankhead 

Mastered by Tim Pritchard at Great Horned Audio in Dayton, Ohio 

Artwork by Rob McCowan at Odd Hourz Creative in Austin, Texas 

©℗ 2022 You Could Be My Aramis Music (BMI)

I found this to be an interesting year for music.  A few artists I listened to in my youth back in the 1990s put out new music this year.  This includes Candlebox, Matthew Sweet, Teenage Fanclub, Garbage, Sleater-Kinney, Liz Phair, Toad The Wet Sprocket, and Quicksand.  None of these made my top ten for the year. Another band from back then from Canada called Big Wreck put out an EP this year, and I really like it... their singer Ian Thornley is about the closest voice I have ever heard to Chris Cornell (my favorite singer), and the songs on it are good.  It looks like this:

A few artists from my music community here in Dayton also put out new music... Looking at YOU: Age Nowhere, Paige Beller, Sadbox, The New Old Fashioned, and TINO.  (I encourage you to click on those links in the last sentence and check out some good stuff from Dayton, Ohio.) Guided By Voices also put out two albums in 2021, because of course they did. 

Another Ohio band who I have expressed my appreciation for in the past, Snarls, also has a new release this year.  They went to Seattle to record the EP What About Flowers? with Chris Walla (who you might know from Death Cab For Cutie), which is a pretty cool thing for a Columbus band to do. 

Elbow is one of my favorite artists, and they put out an album this year.  It's not among my favorites in their catalog, but maybe it'll surge after a few more listens.  My favorite song on it is "What am I Without You".  If you often read about music, you'll surely see the latest Japanese Breakfast album turn up on a few best-of-the-year lists.  I really dug the song "Posing For Cars" from that one.  Some other folks I know also put out fine work this year... Chelsey Coy's project Single Girl, Married Girl , Lauren Light, Baby Molly, and Greg Owens & the Whiskey Weather have new albums that deserve your attention.

Here's a blurb that I wrote for an album that I liked, but as it turns out, it's not in my top ten, and goes into the "honorable mention" category.  The cover art is awesome. Consider this a bonus blurb:

BEAMS - Ego Death 

I had never heard of this band until I started putting together my favorite albums of the year.  I checked in with Juliet Fromholt, music director over at WYSO, to see what she was considering for her end-of-the-year list, knowing that there were certainly things that I had missed.  Juliet sent me all kinds of stuff that she enjoyed, and while I certainly should have heard things from all of these artists on her shows, I don't get the chance to listen to ALL of the shows each week.  Beams was on Juliet's list.  I do my due diligence, working through the artists, and when I got to Ego Death... well, it stopped me in my tracks.  Give me all of that distorted guitar and songcraft and vocal harmonies please, thank you. 

A little Internet research tells me that this band is from Toronto, and that Ego Death is their third full-length album.  Apparently they were leaning in a more folk-sounding direction before, which is fine, but that's not what I hear on this album.  Whatever prompted their evolution into bigger sounds, well, I'm cool with it.  I might get around to heading back into their catalog to listen to their past work, but for now, I'm going to listen to this one a few dozen more times.  I dig it. 

• Favorite songs: "Born to Win", "Break Glass", "A Flower Blossomed"

 

 

All of the above said, here is my top ten, which, other than the first one, are in no particular order:

FAILURE - Wild Type Droid

I'm sure glad Failure are back, and they keep making excellent music.  This one is a little different than their last few efforts.  Think back to Fantastic Planet and The Heart Is A Monster... those are both long albums that sort of meander through a story, complete with instrumental segues to tie pieces together.  Next, they put out In The Future You Body Will Be the Furthest Thing From Your Mind, which was the result of collating four EPs into one album.  All of those are excellent work, by the way, and Fantastic Planet is especially a masterpiece. Failure has noticed that fewer and fewer people care enough about music to listen to an album all the way through, so they've adjusted their art to match.

This new one is only 10 songs.  It's still atmospheric and spacy. The songs that are supposed to sound big still sound big.  The songs that are supposed to be stripped down and more delicate are still stripped down and delicate.  Unlike their previous work, however, you probably don't lose anything from the listening experience if you listen to this one out of order, or put a song on a playlist.  You aren't losing any of the flow or context by doing that this time around.  Failure is still making music that sounds like Failure, but they seem to be tossing an olive branch to modern listening habits.

This is my favorite album of 2021.

• Favorite songs: "Submarines", "Bad Translation", "Half Moon"

 

ERIC BIBB - Dear America

People who know me are going to be surprised to see a blues album on this list.  There is more here than just twelve bar I-IV-V progressions and various solos. There is plenty of folk and americana sounds here as well.  What stands out to me the most here though, is that Eric Bibb clearly has something he still needs to say.  The Internet tells me that this is his 23rd studio solo album, so maybe it's a little amazing that he is still moved enough to keep making art.

Listen to his lyrics.  Eric doesn't live in the United States anymore, but he used to... and of course, we all live in the same world, and see the same appalling things.  Those of us who write songs use the craft to work our way through the feelings that life thrusts upon us, and that is what it seems Eric is doing on this album.  The album title and picture on the cover suggest that this collection of songs is intended as a letter to the United States... a letter complete with solos... a letter with frank declarations like: "what a way for a boy like me to have to die", in a song about Emmett Till.

• Favorite songs: "Born Of A Woman", "Emmett's Ghost", "White & Black"

 

 

ADIA VICTORIA - A Southern Gothic 

The "South" is not my home. I don't feel safe there. I really don't even like visiting. It is Adia Victoria's home, since she is from South Carolina. You can hear the love for her home in these songs. The love is there despite the region's traditional lack of inclusion of voices like hers.  She says this in Rolling Stone:  "I wanted to include myself in the history of the South. I wanted to make this young Black girl's narrative just as emblematic of a Southern experience as Faulkner could write."

Despite the love that Adia clearly shows here, there is also plenty of anger to go around, and the angry parts of the album are the ones that I think I relate to the best.  My favorite example of that here is on "Deep Water Blues". 

Sounds of blues, gospel, and country all collide on this album. If you happen to enjoy listening to any of these genres, well, this album is definitely for you.

• Favorite songs: "You Was Born To Die", "Whole World Knows", "Deep Water Blues"

 

 

 

THE MARS VOLTA - Landscape Tantrums (Unfinished Original Recordings of De-Loused in the Comatorium)

Ok, The Mars Volta released De-Loused in the Comatorium in 2003, and I happen to love that album.  These gentlemen from El Paso reached into the past, grabbed the early progress on those songs, and released them this year.  This album is probably more enjoyable if you are already familiar with the songs in their finished form... however, I think that even if I didn't know what these songs would eventually end up becoming, I would still be blown away.  Sometimes the sounds are frantic, sometimes delicate, there is plenty of playing around with rhythmic elements that aren't necessarily typical in rock music, and the mix is very different than what we got in 2003, so the songs all kind of shine in different ways.

In addition to these mixes being simpler and minimally produced for them (if you can believe it), the track order is different here, and the songs "Tira Me A Las Arañas" and "Cicatriz ESP" are missing.  That's ok, there is enough here to ponder.  Especially if you enjoy this band's work, listen on headphones, close your eyes, and dig in.

• Favorite songs: "Inertiatic ESP", "Eriatarka", "This Apparatus Must Be Unearthed", "Televators"

 

 

 

JACKIE VENSON - Love Transcends

Jackie is an incendiary guitarist from Austin, Texas. Her music usually blends a few different styles, but with Love Transcends, she heads in a more traditional blues direction.  For her, this is keeping it simple. She says this about the album on her Bandcamp page: "Written across a decade, recorded in a pandemic, played in a style a century old."

In addition to her own songs, there's a mash-up of a Sister Rosetta Tharpe song and an old Negro spiritual. She plays her heart out when she is performing live, and you get some of that live feeling on this album. Her rhythm section is outstanding, and the little keyboard licks here and there add nice flavor and texture.  You'll want to turn this one up.

• Favorite songs: "Always Free", "Cover My  Eyes", "Love Transcends"

 

 

 

RHIANNON GIDDENS WITH FRANCESCO TURRISI - They're Calling Me Home

It's folk music gone international.  An American and an Italian living in the United Kingdom, and the music they make on this album shows influences from all three of those places. Strings are here, plucked and strummed and bowed, and they are the backdrop to strong vocals and beautiful harmonies. I don't think I've ever heard anything quite like this, even on the old traditional songs they cover here, and that's probably why it holds my attention.

• Favorite songs: "Avalon", "Si Dolce è'l Tormento", "O Death"

 

 

 

 

VALERIE JUNE - The Moon And Stars: Prescriptions For Dreamers

Many thanks to Greg Owens for telling me to go listen to this album.  I love it.  It's soulful, subtly groovy, elegant, relaxing, moving, and beautiful. I kind of feel bad for not having a few more paragraphs of things to say about it. Go listen. Really.

• Favorite songs: "Colors", "Call Me a Fool", "Smile"

 

 

 

 

YOLA - Stand For Myself

Yola is scheduled to stop by Cincinnati on her 2022 tour, and I currently have tickets.  I very much hope this show still happens.  Yola is English, but when she sings, she doesn't SOUND English.  No, you're getting a very soulful sound out of Yola, and one could conceivably put her music in to the "americana" genre, which is curious, because you know, she is English.

The songs sound classic, as if they could have been released in the sixties or seventies, as if they could have been recorded in Memphis or Detroit. Apart from the music, the subject matter of some of the songs also sounds like it could have been written in the sixties or seventies, which speaks to how little things have changed for Black folks in the grand scheme of things.

• Favorite songs: "Barely Alive", "Diamond Studded Shoes", "Starlight", 

 

 

 

 

LUNG - Come Clean Right Now

Chances are good that you haven't seen anything like Cincinnati's Lung.  Live, it's Kate on cello and Daisy on drums.  That description doesn't do the live sound justice, as the cello is played through an array of pedals and effects, and it's delightfully noisy in addition to being musical. Their shows are loud and punky and energetic and passionate and basically rock.

This here is their latest full-length.  Come Clean Right Now was released in August. It rocks. Taking this great music to the studio allows Lung to layer the cello and the vocals, giving the listener a lush experience together with the nodding along. 

• Favorite songs: "I'm Nervous", "Tick Tock", "Morning", "Arrow"

 

 

 

JERRY CANTRELL - Brighten

You might recognize Jerry Cantrell from such rock bands as Alice In Chains. He's been at the music thing for a very long time, and in addition to being the main songwriter for Alice In Chains, he's got a few solo albums out as well.  If you are familiar with his sound, well, you'll probably think Brighten sounds familiar, as it sounds very much like a Jerry Cantrell album.

That said, I like this one better than his other solo work.  Maybe I should go re-listen to the rest of his catalogue to see if I've missed some details, but the songs here just seem especially well-crafted and nuanced... even when they are simple.

• Favorite songs: "Black Hearts and Evil Done", "Nobody Breaks You", "Dismembered"

Usually, I write these concert memories posts about a show from at least a year ago, and this one just happened in January.  However, it was such a fantastic couple of days that I couldn't help myself.

If perchance you have read my blog before, you know I have seen Elbow live before.  You also know I love them very much, ever since their first album came out. They released a new album recently, Giants of All Sizes, and are out playing shows to support it... as one does.  They only scheduled four (4!) shows in the United States, and quite sadly for me, they were all on the West Coast.  After careful consideration, I decided that this was something my wife and I could not miss, so we flew out to San Diego on a Friday.

San Diego.  What a lovely city!  Let's put that aside for the moment though.  We land rather late, and we get to our hotel.  We are in need of drinks and snacks, so we set out on foot to procure these things.  While walking down one of the streets, I see a gentleman who bears a strong resemblance to Craig Potter.  (Craig Potter plays keyboards and sings harmonies in Elbow.)  As we get within a few meters of this gentleman, I say "Hey, you're Craig Potter."  Call me captain obvious.  Just a few steps behind him, well, there was lead singer and lyricist Guy Garvey.  I had missed Craig's brother Mark, he was a bit ahead of them, and had managed to walk by us without me noticing.  We had a very nice chat with the Elboys.  (Pete was in the hotel trying to sleep off some of the jet lag.) 

If you're wondering if it was cool to meet them, I assure you that is most certainly was.  My wife and I couldn't stop giggling about it the rest of the night.

You see, over in Europe, these guys are rock stars.  They routinely sell out arenas.  They play before thousands of people at festivals.  They even played at the 2012 London Olympics.  Now, here in the United States, yeah, not so much.  For whatever reason, they aren't famous... which is fine, as it means they can walk through the streets of an American city without being mobbed.  (Craig told me that he and his brother and Pete can usually walk around without being recognized, but Guy can hardly be outdoors without people noticing him.)  The other benefit that we have in the United States to Elbow not being overwhelmingly popular is that they play rather small venues, which is really the best way to experience live music.

House of Blues.  That's where they played in San Diego. It's a small room.  The Internet tells me that the capacity there is 1000.  Yeah, that's a small room.  For you Ohioans, that's smaller than Newport Music Hall on High Street in Columbus, and it's smaller than Bogart's on Vine Street in Cincinnati.  Yeah, that's a small room.  That's where Elbow played.  

We showed up early to queue for entry.  We met some lovely people who also made a trek for the show. Cricket was the first person in line.  She's quite ebullient, and is from Seattle.  I don't even remember how many times she said she has seen Elbow, it was 14 or 15 or something insane. Cricket also coincidentally managed to pick the same hotel for her San Diego stay as the band did, and had breakfast with Guy Garvey that morning.  We also met a wonderful couple from New York, the tastefully named Mike and his wife Christine, who were there with a local friend of theirs also named Christine.  It became apparent that although the people who enjoy Elbow in the United States are not numerous, they tend to be passionate about the band and their music.

The show.  The show was great.  Jesca Hoop opened. She was wonderful.  She also contributes some harmony vocals to the first track from Giants of All Sizes, so she came back out to sing those after her set.  In case you are wondering what exactly Elbow played... well, here's a picture of their setlist, which California Christine was kind enough to let me take.

 

It's not every day you get to see some of your favorite musicians up close.

 

 

 

After the show, we're hanging out and chatting with the folks around us... talking about how great the show was, talking about music in general.  Our new acquaintances from New York tell us that the gentleman who is lead singer for The Verve Pipe was in attendance, and how they had seen him and talked to him at a New York show.  I asked to clarify... "you mean Brian Vander Ark is here"?   See, I love his voice.  Love.  He's a great songwriter, having written one of my favorite songs of the entire nineties.  I also went to a few Verve Pipe shows back in the day.  Christine was kind enough to introduce me.  Again, being captain obvious, I start off by saying "so... I am told you're Brian Vander Ark".... I've really got to get better at opening lines when I meet a musician I respect.  So, I officially meet Brian and his wife Luz.  They came out for the show all the way from Michigan... and Brian was surprised that so many people flew such great lengths to see Elbow.  (Once I learned he was there, I thought to myself that it made perfect sense.  As the kids say, game recognize game.)

All told, yeah, a pretty great weekend.

So, if you post this kind of a list after everyone else has already posted theirs, folks might actually pay attention to it?  Yes?  No?  At any rate, here are my favorites, in narrative order (not so much in order of which I like more or less):

 

Shrug - Easy is the New Hard 

Shrug are stalwarts of the Dayton music scene, having been around for 25 years.  This is their first album to be released on vinyl, and as if that’s not enough, it’s a double.  Some of the songs on the track list that showed up in their sets 15 years ago (“New Amsterdam” and “Bender” being the oldest if memory serves) coexist beautifully with new music that didn’t get played live until the album release show (“Powder” and “Follow the Captain”).  The result is probably the best, most eclectic work of their tenure, and certainly my favorite since 2002’s self-titled release. 

• Favorite Songs: “Powder”, “New Amsterdam”, “Follow the Captain”, “Blue Blanket” 

 

 

Sleater-Kinney - The Center Won’t Hold 

About the same time that Shrug was getting going here in Dayton, this band started up in Olympia, Washington.  This is their 9th album, and it heads off in a different sonic direction from everything else in their catalog. This new direction cost them the powerful services of drummer Janet Weiss, as she departed the band just before they went on tour to support the album.  There is synth here, extra slick production, and pop sensibility, but it still sounds like a Sleater-Kinney album. That’s enough for me. 

• Favorite Songs: “Reach Out”, “Bad Dance” 

 

Big Wreck - ... but for the sun 

Here’s a third band that formed in 1994.  Ian Thornley’s voice is the closest I have ever heard to Chris Cornell’s, and it’s still as powerful now as it was when I first discovered this band.  If you enjoyed Soundgarden in the past, I think you would like Big Wreck as well. This new effort is a big, loud, swaggering rock and roll record. You want guitar solos?  There are plenty of them here. You want riffage? There is plenty of that here. You like shouting along whilst driving? These songs are perfect for that.   

• Favorite Songs: “In My Head”, “Give Us a Smile”,  “Alibi”  

 

Guided By Voices - Sweating the Plague 

How about a band that was already more than ten years old in 1994?  Indie rock royals Guided By Voices released three albums this year, because of course they did.  This is the last of the three. I have had a hard time keeping up on all of Bob Pollard’s music over the years, and would only consider myself somewhat well-versed on the albums that came out between 1994 and 2004.  With that caveat in mind, this album isn’t what I was expecting. I heard tempo changes, a brief Boston-esque lead guitar harmony, a song that starts a capella, all paired up with the usual amount of fantastic hooks. 

• Favorite Songs: “Street Party”,  “Your Cricket Is Rather Unique”, “Immortals” 

 

Elbow - Giants of All Sizes 

Apologies to Oasis, but Elbow are now my favo(u)rite Manchester band.  This is their 8th studio album. Lyrically, it’s darker than what we normally get from them, but personal tragedies and these modern times will have that effect.  Guy Garvey’s pristine voice, the band’s orchestral use of dynamics, and at least one song with massive audience sing-along potential on the hook… those things are still here.  Also, Pete Turner continues to bring interesting choices to the bottom end, along with solid grooves from which most of the other instruments hang. 

• Favorite Songs: “Empires”, “White Noise White Heat”, “Weightless” 

 

Idlewild - Interview Music 

Let’s stay on the island of Great Britain for a moment, but head up north to Scotland.  I have five of this band’s first six albums on CD (I don’t have the first one). There was a time when I would listen to something from Idlewild just about every day.  Somewhere around 2008, I completely lost track of them. It wasn’t them, it was me. I’ve missed a couple of their albums, and nearly missed this one, only having discovered that it came out in 2019 in December.  Other than the vocals (not the high ones), this doesn’t sound like the Idlewild I remember… there are plenty of atmospheric additions here, strings and reverb-drenched guitar and piano, and it’s all quite lovely. I need to spend more time with this album, but I know that I’ll like it more with each listen. 

• Favorite Songs: “Dream Variations”, “I Almost Didn’t Notice”, “Forever New” 

 

The Cranberries - In the End 

A short hop West across the Irish Sea brings us to the home of The Cranberries.  This mention is kind of like a career achievement mention, as the band decided not to continue after frontwoman Dolores O’Riordan died in January 2018.  This is their final album, released this year. The vocals come from demos instead of normal studio takes, but if I hadn’t read that online, I wouldn’t have known.  Some of the music would easily fit in among the songs on their first two albums. I feel like most folks probably don’t know this band beyond their hit singles, and that’s too bad, there is some songwriting brilliance in their career, and this is a satisfying final statement. 

• Favorite Songs:  “Lost”, “Wake Me When It’s Over”, “Illusion”, “In the End” 

 

Charly Bliss - Young Enough 

Back much farther West across the Atlantic, Brooklyn’s Charly Bliss dropped their second full-length album this year.  Full disclosure, I really wanted to like this album because I have met the members of this band, and they were pleasant and engaging young folks.  I like them as people.  (They also put on a very energetic live show.) My first couple of listens to this album, well, I wasn’t enthused… lots of synth, some drum machine sounds, the guitars and rock had taken a back seat to sugary pop.  Then I paid attention to the lyrics, listened closer to the songwriting, and focused on the harmonic choices. These songs are painfully confessional and personal, and I wonder how Eva manages to sing them on tour night after night without bursting into tears.  Further, this band’s gift for arrangement and hooks persists behind the pop sheen… and these songs sound excellent live, right alongside their older guitar-heavy work. Go get this album. 

• Favorite Songs: “Capacity”, “Camera”, “Young Enough”, “Chatroom” 

 

John Dubuc’s Guilty Pleasures - Where Have I Been All Your Life? 

Don’t let John Dubuc’s “aw shucks”, self-effacing demeanor fool you.  He is one of the best songwriters in Dayton. His lyrics oscillate between witty and silly, pointless and profound. He doesn’t feel the need to be constrained by the idea of genre, as there are sounds borrowed from reggae and country and fifties rock and power pop and folk.  Several songs from this album will absolutely get stuck in your head.  You have been warned.

• Favorite Songs: “It Ain’t That Far”, “Crazy Days”, “By the Ocean”, “Peace Love and Hamburger Helper” 

 

Me & Mountains - Dream Sequence Volume One 

This a very brief EP, so I feel like my comments here have to also be very brief.  I love everything this band does, their sound is right up my alley, and I want them to give me more music ASAP. 

• Favorite Song: “Demolish Me” 

 

Amber Hargett - Paper Trail 

Amber is lovely and genuine and sweet, comes armed with a powerful voice and a knack for songwriting, and once told a story that will ensure I never look at a submarine hatch the same way again.  Oh, and her album is great. 

• Favorite Song: "Church Mouse", but that isn't on this albums, so let's go with “Broke”, “Carolina Blue”, “Stay” 

 

 

Elbow - Asleep in the Back

I talked about my most recent live experience with Elbow in a previous blog post.  This is the album that got me hooked on them.

A coworker of mine turned me on to this album in 2001.  This was one of the five compact discs I took with me on my spring 2002 trip to France.  The trip was mostly for a friend's wedding, but I managed to move around a bit while I was in Europe... I had a nice trip out to Chamonix for a couple of days, and also dropped by Bruxelles and Bruges.

I spent plenty of time alone with my thoughts and this record playing in my headphones.  On long train trips... on a lift up a mountain... strolling through the forest a short distance from the Arve.  Really, every time I hear these songs, my brief visit to the Alps comes rushing back.  My favorite track on this album was "Newborn"... and today it is probably a tie between "Newborn" and "Scattered Black and Whites".  Guy Garvey's way of painting a picture, evoking an emotion, harnessing a mood with his lyrics... that's a skill I am attempting to develop.

 

 

Tuesday 7th November 2017.  This wasn’t a great time in my life… sure, my wife and I had recently returned from a fantastic trip celebrating our ten year anniversary, but my dad had been in the hospital, and this particular week, he had taken a turn for the worse.  (He would eventually die a little more than two months later, but that’s another story.) However, we had those Elbow tickets for months and months and months. Just about immediately after I learned they would be coming back to the United States, we looked for a show we could fit into our schedule.  I love this band. 

We had seen Elbow twice before.  Once in Atlanta. Once in Washington DC.  When they tour the United States, they only do a few shows… maybe a dozen, maybe a few more than that. They only play big cities.  There is no way they are stopping through Ohio (please?), so if you want to see them, you have to be willing to travel. We cashed in a free hotel night for a very nice place to stay in downtown Detroit, and drove on up there to attend the show. 

 

The venue was Saint Andrews Hall.  It’s a charming little venue, exactly the kind of place I like to visit for a show. The set got off to a great start, as they launched into Side 1 Track 1 from their debut album, a song called “Any Day Now”.  I don’t think they had played that the previous times we had seen them. Alas, this was the only song from the album they would get to on the evening.  I kind of understand, after all, they were touring in support of their newest album, Little Fictions, and as one might expect, they played more songs from this one than any of the others.  After this trip back in time, they tore into “The Bones of You”, a solid track featuring a deep synth bass from the outstanding album The Seldom Seen Kid. 

 

You can see the full setlist here, so I won’t talk about every single song they played.  I will mention that two of my favorite songs in their entire catalog, “The Birds” and “My Sad Captains” ended up being played consecutively, and that was the highlight of the night for me. 

Elbow’s longtime drummer left a couple of years ago, but as far as their performance is concerned, they are unaffected.  Guy Garvey’s pristine voice and reassuring stage presence lends warmth to their performance, as he implored the audience to sing along time and again, even if we didn’t know the words.  He needn’t have worried, we all know the words. The Potter brothers wove interesting guitar and keyboard riffs around Pete Turner’s solid bass work. On this occasion, Elbow only brought two violinists with them, which was adequate, but made a song like “Magnificent (She Says)” much less full than it sounds on the album.  I would like to see a 30 song show by Elbow… on this cold Midwest night, we had to settle for 16. I shouldn’t complain though, for as Guy sings, “looking back is for the birds”.